"On the contrary!" said Mr. Marius Longford 'of the Savile and
Savage,' with a smoothly tolerant air; "We are really quite in the
dark! Do we understand, for example, that the restoration of this
church is entirely due to your generosity, or to assistance from
public funds and subscriptions?"
"The restoration is due, not to my 'generosity,'" replied Walden,
"but merely to my sense of what is fitting for Divine service. I
have had no assistance from any fund or from any individual, because
I have not sought it."
There was a pause, during which Mr. Longford fixed a pair of gold-
rimmed glasses on his nose and gazed quizzically through them at Sir
Morton Pippitt, whose countenance had grown uncomfortably purple in
hue either with exterior heat or inward vexation.
"I thought. Sir Morton," he began slowly, when Mr. Leveson adroitly
interrupted him by the query:
"Now what period would you fix, Mr. Longford, for this sarcophagus?
I am myself inclined to think it of the fourteenth century."
A soft low strain of music here crept through, the church,--the
village schoolmistress was beginning her practice. She had a
delicate touch, and the sounds her fingers pressed from the organ-
keys were full, and solemn and sweet. His Grace the Duke of Lumpton
coughed loudly; he hated music, and always made some animal noise of
his own to drown it.
"What matters the period!" murmured Julian Adderley, running his
thin hand through his thick hair. "Is it not sufficient to see it
here among us, with us, OF us?"
"God bless my soul! I hope it is not OF us!" spluttered Sir Morton
with a kind of fat chuckle which seemed to emanate from his stiff
collar rather than from his throat; "'Ashes to ashes' of course; we
are all aware of that--but not just yet!--not just yet!"
"I am unable to fix the period satisfactorily to my own mind," said
Walden, quietly ignoring both Sir Morton and his observations on the
Beyond; "though I have gone through considerable research with
respect to the matter. So I do not volunteer any opinion. There is,
however, no doubt that at one time the body contained in that coffer
must have been of the nature termed by the old Church 'miraculous.'
That is to say, it must have been supposed to be efficacious in
times of plague or famine, for there are several portions of the
alabaster which have evidently been worn away by the frequent
pressure or touch of hands on the surface. Probably in days when
this neighbourhood was visited by infection, drought, floods or
other troubles, the priests raised the coffin by the system of
leverage which we discovered when excavating (and which is still in
working order) and allowed the people to pass by and lay their hands
upon it with a special prayer to be relieved of their immediate
sickness or sorrow. There were many such 'miraculous' shrines in the
early part of the twelfth and thirteenth centuries."
Public-domain text, read in full here on John Shaqi.
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