And there was a certain sternness and rooted aversion in him to that
dim approaching presence of the unknown heiress of Abbot's Manor. He
experienced an instinctive dislike of her, and was positively
certain that the vague repugnance would deepen into actual
antipathy.
"One cannot possibly like everybody," he argued within himself, in
extenuation of what he felt was an unreasonable mental attitude;
"'And modern fashionable women are among the most unlikeable of all
human creatures. Any one of them in such a village as this would be
absurdly out of place."
Thus self-persuaded, his mood was a singular mixture of pity and
resentment when, in fulfilment of his promise, he walked that
afternoon up the winding road which led to the Manor, and avoiding
the lodge gates, passed through a rustic turnstile he knew well and
so along a path across meadows and through shrubberies to the house.
The path was guarded by a sentinel board marked 'Private.
Trespassers will be prosecuted.' But in all the years he had lived
at St. Rest, he cared nothing for that. As rector of the parish he
had his little privileges. Nebbie trotted at his heels with the air
of a dog accustomed to very familiar surroundings. The grass on
either side was springing up long and green,--delicate little field
flowers were peeping through it here and there, and every now and
then there floated upwards the strong sweet incense of the young
wild thyme. The way he had chosen to walk was known as a 'short cut'
to Abbot's Manor, and ten minutes of easy striding brought him into
the dewy coolness of a thicket of dark firs, at the end of which,
round a sharp turn, the fine old red brick and timbered gables of
the house came into full view. He paused a moment, looking somewhat
regretfully at the picture, warmly lit up by the glow of the bright
sun,--a picture which through long habitude of observation had grown
very sweet to him. It was not every day that such a house as Abbot's
Manor came within reach of the archaeologist and antiquarian. The
beautiful tiled-roof--the picturesque roughness and crookedness of
the architectural lines of the whole building, so different to the
smooth, hard, angular imitations of half-timbered work common in
these degenerate days, were a delight to the eyes to rest upon,--a
wealth of ivy clung thickly to the walls and clambered round the
quaint old chimneys;--some white doves clustered in a group on the
summit of one broad oak gable, were spreading their snowy wings to
the warm sun and discussing their domestic concerns in melodious
cooings;--the latticed windows, some of which in their unspoilt
antiquity of 'horn' panes were a particular feature of the house,
were all thrown open,--but to Walden's sensitive observation there
seemed a different atmosphere about the place,--a suggestion of
change and occupation which was almost startling.
Public-domain text, read in full here on John Shaqi.
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