He walked up to it now slowly, studying it critically as the light
fell on its rich colouring. The painted lady had a wonderfully
attractive face,--the face of a child, piquante, smiling and
provocative,--her eyes were witching blue, with a moonlight halo of
grey between the black pupil and the azure iris,--her mouth, a
trifle large, but pouting in the centre and curved in the 'Cupid's
bow' line, suggested sweetness and passion, and her hair,--but
surely her hair was indescribable! The painter of Charles the
Second's time had apparently found it difficult to deal with,--for
there was a warm brown wave there, a tiny reddish ripple behind the
small ear, and a flash of golden curls over the white brow,
suggestive of all the tints of spring and autumn sunshine. Habited
in a riding dress of velvet the colour of a purple pansy, Mary Elia
Adelgisa held her skirt, white gauntleted gloves, and riding whip
daintily in one hand,--her hat, a three-cornered piece of coquetry,
lay ready for wear, on a garden-seat hard by,--a blush rosebud was
fastened carelessly in her close-fitting bodice, which was turned
back with embroidered gold revers, and over her head, great forest
trees, heavy with foliage, met in an arch of green. John Walden
stood for a quiet three minutes, studying the picture intently and
also the superscription: "Mary Elia Adelgisa de Vaignecourt, Born
May 1st, 1651: Wedded her cousin, Geoffrey de Vaignecourt, June 5th,
1671: Died May 30th, 1681."
"Not a very long life!" he mused: "All the Vaignecourts, or
Vancourts, have died somewhat early."
He let his eyes rest again on the portrait lingeringly.
"Mary Elia! I wonder if her descendant, 'Maryllia,' is anything
like her?"
Slowly turning, he went out of the picture gallery, across the hall
and into the garden, where the faithful Nebbie was waiting for him,
amid a company of pigeons who were busy picking up what they fancied
from the gravelled path, and who were utterly unembarrassed by the
constant waggings of the terrier's rough tail. And he walked
somewhat abstractedly through the old paved court, past the
unsympathetic sun-dial, and out through the great gates, which were
guarded on either side by stone griffins, gripping in their paws
worn shields decorated with defaced tracings of the old Vaignecourt
emblems. Clematis clasped these fabulous beasts in a dainty embrace,
winding little tendrils of delicate green over their curved claws,
and festooning their savage-looking heads with large star-like
flowers of white and pale mauve, and against one of the weather-
beaten shields an early flowering red rose leaned its perfumed head
in blushing crimson confidence. Halting a moment in his onward pace,
Walden paused, and looked back at the scene regretfully.
Public-domain text, read in full here on John Shaqi.
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