He shut all his writing materials in his desk, and following Nebbie
out to the lawn, seated himself with a volume of Owen Meredith in
his hand. He was soon absorbed. Yet every now and again his thoughts
strayed to the Five Sisters, and with persistent fidelity of detail
his mind's eye showed him the grassy knoll so soft to the tread,
where the doomed trees stood proudly and gracefully, clad just at
this season all in a glorious panoply of young green,--where, as the
poet whose tender word melodies he was reading might have said of
the surroundings:
"For moisture of sweet showers, All the grass is thick with
flowers."
"Yes, I shall send Bainton up to the Manor with a civil message," he
mused--"and he can--and certainly will--add anything else to it he
likes. Of course the lady may be offended,--some women take offence
at anything--but I don't much care if she is. My conscience will not
reproach me for having warned her of the impending destruction of
one of the most picturesque portions of her property. But
personally, I shall not write to her, nor will I go to see her. I
shall have to pay a formal call, of course, in a week or two,--but I
need not go inside the Manor for that. To leave my card, as minister
of the parish, will be quite sufficient."
He turned again to the volume in his hand. His eyes fell casually on
a verse in the poem of 'Resurrection':
"The world is filled with folly and sin; And Love must cling where
it can, I say,--For Beauty is easy enough to win, But one isn't
loved every day."
He sighed involuntarily. Then to banish an unacknowledged regret, he
began to criticise his author.
"If the world and the ambitions of diplomatic service had not
stepped in between Lord Lytton and his muse, he would have been a
fine poet," he said half aloud;--"A pity he was not born obscurely
and in poverty--he would have been wholly great, instead of as now,
merely greatly gifted. He missed his true vocation. So many of us do
likewise. I often wonder whether I have missed mine?"
Public-domain text, read in full here on John Shaqi.
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