Biographical fiction; Historical fiction; Short stories, English
The cypress trees shook in the veil of the rain and the low clouds
sailed more swiftly above the pink-fronted houses. Steadily the French
knights went past the street, and the chamber was full of the sound of
their armour and horses; but Giovanni Pico was in darkness, labouring
up to God.
He rose up from his chair and stood erect a moment, the pale light of
the fading afternoon clear on his blood-red gown and his fair locks and
the dark crucifix he held, as with blind eyes he stared across the room.
“Death is terrible,” he said. He fell on his knees. “Friar, death is
terrible.” He fell on his face. “Death is very terrible.”
They raised him up and laid him on his bed in the shadow, and as they
lifted him his crimson gown fell apart and showed his striped hose
and his pearl embroidered garters and the cross-work of jewels on his
shoes; and his bed was very rich and lovely and carved with little
dancing figures of fauns; and Frà Girolamo was grieved that he should
die amid all this vanity, and prayed heartily to the Lord to forgive
it. Then he bethought him that the Prince had wished to die in the
habit of his own order, and feeling assured that he was yet many hours
off death, he bid the pages watch by their master and left them to go
himself to the convent of St. Mark to fetch a friar’s robe.
Giovanni Pico lay very still; his face was white and fallen and his
eyes closed. The two boys looked at him and whispered together; they
greatly loved their master, and they did not love, though they feared,
Frà Girolamo.
One of them tip-toed out of the room and brought back the figure of
Tanagra; the other took from a press a lustre dish of peaches and late
white roses opening on to golden hearts, and took them to his master,
who was muttering prayers with a feeble voice.
The boy held up the dish and said softly: “My noble lord, do not grieve
so at what the Friar says, for surely Heaven is beautiful as Tuscany
when the blossoms come out, and there is a pleasant company there
seated on the grass and plaiting roses into crowns while God walks
among them, very splendid and gentle.”
Giovanni opened his eyes and saw the flowers and fruit and smelt the
rich perfume of them and faintly smiled; then he saw the figure of
Tanagra, and his smile deepened, and all the world rushed round him
again.
“There is great comfort in these things,” said the second page; “and
wherefore should a Prince die like a poor Friar?”
He picked up the long chain Giovanni had flung down and brought it to
the bed.
“My ring,” said the dying man: “the yellow intaglio—”
They found it where it had spun away against the wall, and tenderly
brought it to him and slipped it on his finger, and he looked at it,
still smiling.
Public-domain text, read in full here on John Shaqi.
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