Biographical fiction; Historical fiction; Short stories, English
The Friar maintained his position; his lips moved as if he ardently
communed with himself; so absorbed was he in his own meditations that
he did not notice a man standing close, and also motionless amid the
circling and excited throng, who was observing him with intense and
peculiar attention.
This man, although he wore the sober mantle of an ordinary citizen,
and though he appeared to be there in sympathy with the general
religious enthusiasm, was nevertheless in air and appearance one of
the Arrabbiati or Compagnacci, who intrigued with the outcast Medici
and hated the Friar, though they submitted to a force they could not
withstand with safety as yet.
He was wrapped so completely in his dark cloak, the hood of which was
well drawn over his face, that had any been free enough to observe him
they would have had difficulty in judging of his person and character;
the thick folds of the common stuff, however, could not disguise the
virile grace of his figure, the beautiful poise of his head and the
delicate shape of his feet and of the hand that clasped his hood at the
chin.
The excited people and friars, breaking into a kind of religious dance,
ran round and about this man, and in between him and Frà Girolamo; but
he did not move nor once take his eyes from the equally still figure of
the Friar, save to occasionally lift them to the pyre of the Vanities,
now a burning cone of flames from base to apex, from which rose thick
columns of sweet, heavy-scented smoke.
The slow Italian dusk was closing in; the sky deepened above the palace
and the towers, the roofs and domes of Florence. The smoke, spreading,
filled the Piazza and gave a cloudy unreality to the moving crowd who
circled the strengthening light of the fire.
On the upper part of the buildings a pale sun-glow lingered; but the
Lion on the Palace steps was absorbed in shade save for the flickering
unearthly glow that the burning vanities emitted and that now and then
touched the surroundings with a murky crimson reflection.
All the while the bells of the Signori were pealing, and the music of
them rose and fell with the hymns. Frà Girolamo suddenly looked up at
the flames, the cracking canvas, shrivelling silks, splitting marbles,
melting gold and silver, flaring scrolls of manuscript and smoking
boxes of perfumes that composed the pyre; then, with bowed head, made
his way quickly and unobserved through the crowd and out of the Piazza.
He was instantly and closely followed by the tall stranger who had
so persistently regarded him, and who now came softly after without
attracting his attention.
Public-domain text, read in full here on John Shaqi.
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