Fashion -- 19th century -- Periodicals; United States -- Social life and customs -- 19th century -- Periodicals; Women's periodicals, American
Frame the satin, and draw the pattern with a white crayon; work,
in embroidery stitch, the flowers with the shades of crimson, the
leaves with the greens, the stems with the browns, and the birds with
the shades of blue, amber, and green, blending the colors as may be
suggested by the taste and judgment of the worker. The above design is
well adapted for a cheval-screen, but in drawing the pattern, it will
be necessary to considerably magnify the whole. The easiest method of
drawing a design on satin for embroidery is to make use of a pounced
pattern. This is prepared in the following manner: Trace the outline of
the pattern on thin paper, then neatly pierce it with a steel point.
Fix the pattern thus prepared firmly on the material, rub the pounce
over the paper so as to penetrate the perforated outline; afterwards
trace it over with a white crayon. Finely-ground pumice forms the
best kind of pounce. Embroidery in chenille, though rather expensive,
if neatly worked, is extremely rich and elegant in appearance; it is
well adapted for screens, provided when made up the work is protected
by glass from the dust. In working on satin, a long-eyed needle
is preferable. Chenille à broder is used for embroidery; and much
unnecessary waste may be avoided if the needle is brought up close to
the preceding stitch.
* * * * *
THE ARROGONESE AND THE VALENCIA.
(_See Plates in front of Book._)
The cloaks we illustrate this month are made respectively of cloth and
velvet, and, although differing widely in style, are perhaps equal in
their claims upon the favor of our gentle readers.
THE ARROGONESE.
The first, the "Arrogonese," is of black velvet, and is very simple in
construction, it being merely a _circular_ back, which extends in a
half yoke in front; to this the front portion of the cloak is attached;
it is box-plaited in four plaits. These, however, are only continued to
the waist, from thence they escape confinement, and the material droops
in graceful freedom. A collar, narrow at the throat, but with two
scallops upon each side springing boldly to greater width, adorns the
neck; from the point formed by the scalloped cut of the collar depends
a fancy tassel at the back. The cloak is elaborately adorned with a
rich design in needle-work.
THE VALENCIA.
Public-domain text, read in full here on John Shaqi.
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