Fashion -- 19th century -- Periodicals; United States -- Social life and customs -- 19th century -- Periodicals; Women's periodicals, American
Roman history has described with great minuteness the extraordinary
virtue and the excellent domestic habits of Lucretia, her sad fate,
and the sympathy it awakened, and the indignation it aroused in the
hearts of all good citizens. Her sacred regard for her own honor--that
honor insulted by a corrupt nobleman, an unprincipled monarch--proved a
death-blow to kingly power for a season in Rome. Whether the story of
Lucretia be a cunningly-devised fable, or veritable, sober history, is
not material, since it illustrates a principle well substantiated by
all history and observation, that insults to female virtue and honor
do not escape unavenged. Cleopatra, the beautiful and accomplished
Egyptian queen, subdued successively the hearts of two stern
Romans--heroes who had met the wildest shocks of battle undismayed,
and who had never quailed with fear, nor scarce melted with pity. In
her magic fingers hung, at an important crisis, the fate of the Roman
empire. Her influence was as destructive as her presence was potential
and commanding. These are marked instances of woman's influence, and of
her characteristics.
The reign of Octavius Cæsar was the golden age of Rome. At that period,
the almost unlimited control of the civilized world was hers. Her
colonies were planted on every shore of the known world--the Roman
eagles triumphed in every clime. Three continents paid her tribute. One
intervening sea washed their shores and wafted her fleets. Extensive
sway and the contributions of wealthy nations had not only rendered
her proud and insolent, but corrupt, and, in a measure, cruel. The
principal distinctions in her society were those of wealth and power,
rather than of talents, sobriety, and virtue. The corrupt and the vile
were, for the most part, the esteemed and highly favored.
Public-domain text, read in full here on John Shaqi.
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