Fashion -- 19th century -- Periodicals; United States -- Social life and customs -- 19th century -- Periodicals; Women's periodicals, American
BRODERIE ANGLAISE FOR FLOUNCING.
(_See Blue Plate in front of Book._)
_Material._--French embroidery cotton, No. 20.
This description of work, now so extremely fashionable for every
description of dress, is usually done on fine jacconet muslin; and, to
prepare the pattern, either of the following methods may be used: Place
the muslin over the pattern, taking care to keep it even and tight;
then, with a fine camel-hair brush, and a solution of indigo or powder
blue, mixed with gum-water, copy the outline of the pattern, and, to
continue it, take care, after one length of the design is drawn, to
place the muslin so that the pattern joins correctly. The other method,
which is useful for thicker material--take the design, and, with a fine
penknife or scissors, cut out the blue parts of the pattern, place it
over the material to be used, and trace it round the cut-out parts as
above directed; pierce the small eyelet-hole with a stiletto. When the
pattern is prepared, tack the muslin on a piece of oil-cloth (green
is the best color to work on for all descriptions of embroidery); run
twice round the outline of the pattern with the cotton used double,
and join the open spaces, cut a small piece out of the centre of the
rounds and ovals, and, with the single cotton, work the edges in
overcast stitch--the cotton run round, and the edges cut, forming the
foundation. In the parts between the ovals and rounds, when there is
only a small division of muslin, the whole should be overcast so as
to form one bar between the open spaces. Repeat the same for the ovals
which form the scallop round the outer edge, the diamonds of twelve
ovals, and the rounds which form the Vandykes. The remainder of the
pattern is worked in the same manner; but, instead of the overcast
stitch, the open spaces are to be sewn thickly over. A small portion
only of the pattern should be cut out at a time; and, should the design
be worked on a fine material, use cotton No. 24 or 30.
EMBROIDERED COLLAR.
[Illustration]
_Materials._--French muslin, with embroidery cottons, Nos. 70 and
50; and boar's head sewing cotton, No. 90.
As the popularity of embroidery in muslin has become greater during
the past year than it had been for a long period previous to it, so
the skill of the majority of lady-workers has greatly increased; and
we can now venture on presenting them with designs of a more elaborate
nature than we have hitherto done, in the hope that our friends will
be tempted, by the novel style of the pattern, to try the effect of a
blending of the open work with satin-stitch.
Public-domain text, read in full here on John Shaqi.
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