Fashion -- 19th century -- Periodicals; United States -- Social life and customs -- 19th century -- Periodicals; Women's periodicals, American
"Close mourning, more commonly called _deep_ mourning, is usually worn
only for the nearest relations--a husband, parents, child, brother,
or sister. A widow's mourning, called 'weeds' in England, is not so
distinct in this country. There the close tarleton or muslin cap, with
its crimped border, is its accompaniment for a year at least. The
fashion has of late years been adopted in this country, particularly in
New York, where it is so common as not longer to excite the curiosity
it called out at first, when worn by young persons. Bombazine, trimmed
with folds of crape (the dress, mantilla, and bonnet), with a veil
of double Italian or heavy English crape, is considered the deepest
mourning. Nothing white, as collar, cuffs, or undersleeves, is worn by
those who thus follow the dictates of fashion, even in their sorrow,
through the first six months or year.
"Another style--also considered deep, and usually worn for parents
or children--allows of a variety of material, as black cashmere,
mousseline, Tamese cloth, alpaca, etc. etc., trimmed with silk or
ribbon, even plain braids and galloons. Undersleeves and collars of
Swiss muslin, tarleton, or linen, relieve the sombre shade, and add a
neatness to the dress which it can never have where black crape is used
for the purpose. This is the most general style.
"A lighter mourning is black silk trimmed lightly with crape, mode
bonnet, etc. etc.
"Again, half mourning admits of as great a variety in shade and
material as colors; lead and stone colors being considered appropriate;
lavender, and even deep purple, are often used. What is thus
denominated 'dressy black,' or, by the witty author of 'How to get
Married,' 'mitigated grief,' seems to us to lose the sacredness with
which sorrow usually invests the dress of a mourner.
"In choosing mourning goods, the first essential, _even before
quality_, is a good shade of black, neither blue nor rusty; a dead,
solid color is considered most desirable. If possible, have the dress,
mantle, and bonnet from the same piece, either in bombazine or silk.
It gives the whole dress the same shade, and will wear alike. Never
get a cheap material in black; it will be sure to fade or grow rusty.
Here, especially, _the dearest is always the cheapest in the end_.
For constant wear, we prefer cashmeres, or even plain mousselines, to
bombazines. Black English chintzes make nice morning-dresses, and fade
very little in washing. For summer wear, _barèges_, silk tissues, and
grenadines are considered deep mourning. The cross-barred _barège_ is
the strongest, and grenadines of good quality will wear several years.
"Although not exactly belonging to our present purpose, we would
mention that drawn hats of crape and grenadine, or even black straws
trimmed with crape, are appropriate to the second style of dress we
have mentioned, when the heat of the weather is too great for bombazine
and silk.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account