Godolphin, CompleteLytton, Edward Bulwer Lytton, Baron
General
Godolphin, Complete
Lytton, Edward Bulwer Lytton, Baron
England -- Social life and customs -- 19th century -- Fiction
“Of the immutability of one thing among all the changes I may witness
on my return, at least I am certain no one still will dare to think for
himself. The great want of each individual is, the want of an opinion!
For instance, who judges of a picture from his own knowledge of
painting? Who does not wait to hear what Mr. ----, or Lord ---- (one of
the six or seven privileged connoisseurs), says of it? Nay, not only
the fate of a single picture, but of a whole school of painting, depends
upon the caprice of some one of the self-elected dictators. The King,
or the Duke of ----, has but to love the Dutch school and ridicule the
Italian, and behold a Raphael will not sell, and a Teniers rises into
infinite value! Dutch representations of candlesticks and boors are
sought after with the most rapturous delight; the most disagreeable
objects of nature become the most worshipped treasures of art; and we
emulate each other in testifying our exaltation of taste by contending
for the pictured vulgarities by which taste itself is the most
essentially degraded. In fact, too, the meaner the object, the more
certain it is with us of becoming the rage. In the theatre, we run after
the farce; in painting, we worship the Dutch school; in----”
“Literature?” said Saville.
“No!--our literature still breathes of something noble; but why? Because
books do not always depend upon a clique. A book, in order to succeed,
does not require the opinion of Mr. Saville or Lady Erpingham so much as
a picture or a ballet.”
“I am not sure of that,” answered Saville, as he withdrew presently
afterwards to a card-table, to share in the premeditated plunder of a
young banker, who was proud of the honour of being ruined by persons of
rank.
In another part of the rooms Constance found a certain old philosopher,
whom I will call David Mandeville. There was something about this man
that always charmed those who had sense enough to be discontented with
the ordinary inhabitants of the Microcosm,--Society. The expression of
his countenance was different from that of others: there was a breathing
goodness in his face--an expansion of mind on his forehead. You
perceived at once that he did not live among triflers, nor agitate
himself with trifles. Serenity beamed from his look--but it was the
serenity of thought. Constance sat down by him.
Public-domain text, read in full here on John Shaqi.
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