“You have conquered--you have conquered, Lucilla!” said Godolphin, as he kissed this wild and reproachful letter, and thrust it into his bosom; “and I--I will be wretched rather than you shall be so!” His heart rebuked him even for that last sentence. This pure and devoted attachment, was it indeed an unhappiness to obtain, and a sacrifice to return! Stung by his thoughts, and impatient of rest, he hurried into the air;--he traversed the city; he passed St. Sebastian’s Gate, gained the Appia Via, and saw, lone and sombre, as of old--the house of the departed Volktman. He had half unconsciously sought that direction, in order to strengthen his purpose, and sustain his conscience in its right path. He now hurried onwards, and stopped not till he stood in that lovely and haunted spot--the valley of Egeria--in which he had met Lucilla on the day that he first learned her love. There was a gloom over the scene now, for the day was dark and clouded: the birds were silent; a heavy oppression seemed to brood upon the air. He entered that grotto which is the witness of the most beautiful love-story chronicled even in the soft south. He recalled the passionate and burning emotions which, the last time he had been within that cell, he had felt for Lucilla, and had construed erroneously into real love. As he looked around, how different an aspect the spot wore! Then, those walls, that spring, even that mutilated statue, had seemed to him the encouragers of the soft sensations he had indulged. Now, they appeared to reprove the very weakness which hallowed themselves--the associations spoke to him in another tone. The broken statue of the river god--the desert silence in which the water of the sweet fountain keeps its melancholy course--the profound and chilling Solitude of the spot--all seemed eloquent, not of love, but the broken hope and the dreary loneliness that succeed it! The gentle plant (the capillaire) that overhangs the sides of the grotto, and nourishes itself on the dews of the fountain, seemed an emblem of love itself after disappointment--the love that might henceforth be Lucilla’s--drooping in silence on the spot once consecrated to rapture, and feeding itself with tears. There was something mocking to human passion in the very antiquity of the spot; four-and-twenty centuries had passed away since the origin of the tale that made it holy--and that tale, too, was fable! What, in this vast accumulation of the sands of time, was a solitary atom! What, among the millions, the myriads, that around that desolate spot had loved, and forgotten love, was the brief passion of one mortal, withering as it sprung! Thus differently moralises the heart, according to the passion which bestows on it the text.