Godolphin, CompleteLytton, Edward Bulwer Lytton, Baron
General
Godolphin, Complete
Lytton, Edward Bulwer Lytton, Baron
England -- Social life and customs -- 19th century -- Fiction
And all that night Constance watched by the side of Godolphin, and
marked in mute terror the convulsions that wrung his sleep, the foam
that gathered to his lip, the cries that broke from his tongue. But
she was rewarded when, with the grey dawn, he awoke, and, catching her
tender and tearful gaze, flung himself upon her bosom, and bade God
bless her for her love!
CHAPTER LXIII.
A MEETING BETWEEN CONSTANCE AND THE PROPHETESS.
A strange suspicion had entered Constance’s mind, and for Godolphin’s
sake she resolved to put it to the proof. She drew her mantle round her
stately figure, put on a large disguising bonnet, and repaired to Madame
Liehbur’s house.
The Moorish girl opened the door to the countess; and her strange dress,
her African hue and features, relieved by the long, glittering pendants
in her ears, while they seemed suited to the eccentric reputation of her
mistress, brought a slight smile to the proud lip of Lady Erpingham,
as she conceived them a part of the charlatanism practised by the
soothsayer. The girl only replied to Lady Erpingham’s question by an
intelligent sign; and running lightly up the stairs, conducted the guest
into an anteroom, where she waited but for a few moments before she was
admitted into Madame Liehbur’s apartment.
The effect that the personal beauty of the diviner always produced on
those who beheld her was not less powerful than usual on the surprised
and admiring gaze of Lady Erpingham. She bowed her haughty brow with
involuntary respect, and took the seat to which the enthusiast beckoned.
“And what, lady,” said the soothsayer, in the foreign music of her low
voice, “what brings thee hither? Wouldst thou gain, or hast thou lost,
that gift our poor sex prizes so dearly beyond its value? Is it of love
that thou wouldst speak to the interpreter of dreams and the priestess
of the things to come?”
While the bright-eyed Liehbur thus spoke, the countess examined through
her veil the fair face before her, comparing it with that description
which Godolphin had given her of the sculptor’s daughter, and her
suspicion acquired new strength.
“I seek not that which you allude to,” said Constance; “but of the
future, although without any definite object, I would indeed like to
question you. All of us love to pry into dark recesses hid from our
view, and over which you profess the empire.”
“Your voice is sweet, but commanding,” said the oracle; “and your air is
stately, as of one born in courts. Lift your veil, that I may gaze upon
your face, and tell by its lines the fate your character has shaped for
you.”
“Alas!” answered Constance, “life betrays few of its past signs by
outward token. If you have no wiser art than that drawn from the lines
and features of our countenances, I shall still remain what I am now--an
unbeliever in your powers.”
“The brow, and the lip, and the eye, and the expression of each and
all,” answered Liehbur, “are not the lying index you suppose them.”
Public-domain text, read in full here on John Shaqi.
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