Goethe and Schiller: An Historical RomanceMühlbach, L. (Luise)
General
Goethe and Schiller: An Historical Romance
Mühlbach, L. (Luise)
Goethe, Johann Wolfgang von, 1749-1832 -- Fiction; Schiller, Friedrich, 1759-1805 -- Fiction
It was Goethe who spoke these words--not Goethe, the secretary of
legation, who, at the end of the year 1786, had secretly withdrawn
from his friends, and even from his beloved Madame von Stein, and fled
to Italy, the land he so ardently desired to visit. No, it was not
that Goethe, who, during the last months of his sojourn in Weimar, had
eschewed his youthful exuberance of feeling, his exaggerated manner,
and his Werther costume, and had assumed the grave dignified air
which he deemed becoming in a high official! No, he who spoke these
words, was the poet Johann Wolfgang Von Goethe, the poet who was once
more himself, now that he sojourned under Italy's glorious skies--the
poet whose soul glowed with enthusiasm, and on whose lips inspiration
trembled--the poet who sought the essence of the Divinity in the least
flower, and who saw the glory of his Maker reflected in the countenance
of each human being.
This Goethe it was who spoke these cheering, encouraging words. He
addressed them to Philip Moritz, with whom he had been living in Rome,
and other parts of Italy, for the last two years, and with whom he had
rejoiced and sorrowed in many pleasures and vicissitudes. They had
both come to Italy to make new men of themselves. Goethe, to become
himself again--to become the original, creative genius. Moritz, to heal
his heart-wounds, and refresh his mind with the wonders of art and
nature that abound for every man, who has eyes to see, in Italy--this
land of art and poetry. Philip Moritz had eyes to see, and the woman he
loved had begged him not to close them, not to shut out from his vision
the treasures which the God of creation and the gods of art had so
plentifully bestowed upon this favored land.
Marie von Leuthen was the woman of his love, and she it was who had
entreated him to go to Italy, that he might recover from the wounds
life had inflicted, his grief be healed, and hope restored to his heart.
"Go," she had said to him, "Italy and art will be a healing balm for
your wounds. Recover from them, and return after two years, renewed in
mind and constant in heart, and I will give you a joyful answer if you
then ask me if I love you."
Philip Moritz had journeyed to Italy as she bade him. On arriving in
Rome he learned that Goethe had been in the city for some time. Moritz
at once sought out his adored poet, and since then they had been
close comrades. He admired and worshipped Goethe, who tenderly loved
the friend (who was often so gloomy, and whose merriment was often
exaggerated), in spite of his peculiarities. Together they visited
the treasures of art in Rome; together they made excursions to the
neighboring villages and places of interest, on foot or on horseback,
as the case might be. On an excursion of this kind to Frascati, Moritz
had been thrown from his horse, and had his arm broken. Goethe had
nursed him like a brother; for long days and weeks he had been the
sufferer's only consoler and associate.
Public-domain text, read in full here on John Shaqi.
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