Goethe and Schiller: An Historical RomanceMühlbach, L. (Luise)
General
Goethe and Schiller: An Historical Romance
Mühlbach, L. (Luise)
Goethe, Johann Wolfgang von, 1749-1832 -- Fiction; Schiller, Friedrich, 1759-1805 -- Fiction
"A plain madame she will not remain much longer," said he to himself.
"She is ambitious; I will place her at the head of the department of
titles and orders, but I will superintend the department of finance and
material profits. When such a good-natured couple as we are harness
ourselves to a wagon, it will be strange indeed if we do not manage to
pull it through the mire of life, and if it does not ultimately become
transformed into a right regal equipage." At this moment the carriage
turned the corner of the avenue, and there lay Sans-Souci, illumined by
the first rays of the rising sun, bright and beautiful to look upon,
although the corpse of a king lay within--the corpse of one, who but
yesterday was the master and ruler of millions, to-day inanimate clay,
a handful of dust from the dust of humanity.
The carriage halted, and, as no one came forward to open the door,
Rietz reluctantly opened it himself. The king's house was the scene
of confusion and sorrow, and could no longer be called the house
Sans-Souci, "the house without care," since its royal occupant had
closed his eyes.
The king entered the antechamber, and greeted with a kindly smile the
two valets who stood near the door. Tears rushed to their eyes, and
disregarding etiquette in their grief, they neglected to open the door
that led to the inner apartments. Rietz hastened forward and opened it,
and then followed the king and minister into the reception-room, which
was still empty, as the princes and princesses, and the courtiers, had
not yet been informed of the king's death.
"Le roi est mort! Vive le roi!" They will soon come with one weeping
and one laughing eye; with a reluctant tear for the departed, and a
fascinating smile for the living king, who had awakened this morning to
find a crown on his brow, and a kingdom at his feet!
"Le roi est mort! Vive le roi!"
How desolate is the antechamber of the departed king to-day! Not a
sound is heard! The portrait of the Marquise de Pompadour, which she
had given Frederick as a mark of her favor, hangs on the wall, and
smiles down upon this scene with its coquettish beauty. The king and
the minister do not observe it, but Rietz, who follows close behind,
looks up at the picture with a complacent smile, and thinks to himself
that his wife will certainly become quite as celebrated and honored as
the French king's flame. Why should not an empress also write to her
some day--to her, the adored of the King of Prussia, and call her "ma
cousine?" Why not?
It is only with the greatest difficulty that the valet can suppress his
inclination to burst into laughter, when this thought occurs to him. As
he follows his master into the king's study, he covers his face with
his hand, and assumes an air of deep dejection. There are people in
this room, and there might be observant eyes there also.
Public-domain text, read in full here on John Shaqi.
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