Goethe's literary essays : $b A selection in EnglishGoethe, Johann Wolfgang von
History
Goethe's literary essays : $b A selection in English
Goethe, Johann Wolfgang von
Art; Literature -- History and criticism
And now let us look at the work of German poets and prose-writers of
recognized ability. With what care and what devotion did they not
follow in their labors an enlightened conviction! It is, for example,
not saying too much, when we maintain that a capable and industrious
literary critic, through a comparison of all the editions of our
Wieland,--a man of whom we may proudly boast in spite of the snarling
of all our literary parasites,--could develop the whole theory of
good taste simply from the successive corrections of this author, who
has so indefatigably worked toward his own improvement. We hope that
every librarian will take pains to have such a collection made, while
it is still possible, and then the next century will know how to make
grateful use of it.
In the future we may perhaps be bold enough to lay before the public a
history of the development of our foremost writers, as it is shown in
their works. We do not expect any confessions, but if they would only
themselves impart to us, as far as they see fit, those facts which
contributed most to their development, and those which stood most in
the way of it, the influence of the good they have done would become
still more far-reaching.
For if we consider what superficial critics take least notice of,--the
good fortune which young men of talent enjoy nowadays in being able to
develop earlier, and to attain sooner a pure style appropriate to the
subject at hand,--to whom do they owe it but to their predecessors in
the last half of this century, each of whom in his own way has trained
himself with unceasing endeavor amidst all sorts of hindrances?
Through this circumstance a sort of invisible school has sprung up, and
the young man who now enters it gets into a much larger and brighter
circle than the earlier author, who had to roam through it first
himself in the faint light of dawn, in order to help widen it gradually
and as it were only by chance. The pseudo-critic, who would light the
way for us with his little lamp, comes much too late; the day has
dawned, and we shall not close our shutters again.
Public-domain text, read in full here on John Shaqi.
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