Goethe's Theory of ColoursGoethe, Johann Wolfgang von
Philosophy
Goethe's Theory of Colours
Goethe, Johann Wolfgang von
Color
While silver approximates most to pure white,--nay, really represents
pure white, heightened by metallic splendour,--steel, tin, lead, and so
forth, incline towards pale blue-grey; gold, on the other hand, deepens
to pure yellow, copper approaches a red hue, which, under certain
circumstances, increases almost to bright red, but which again returns
to a yellow golden colour when combined with zinc.
510.
But if metals in their pure state have so specific a determination
towards this or that exhibition of colour, they are, through the effect
of oxydation, in some degree reduced to a common character; for the
elementary colours now come forth in their purity, and although this
or that metal appears to have a particular tendency to this or that
colour, we find some that can go through the whole circle of hues,
others, that are capable of exhibiting more than one colour; tin,
however, is distinguished by its comparative inaptitude to become
coloured. We propose to give a table hereafter, showing how far the
different metals can be more or less made to exhibit the different
colours.
511.
When the clean, smooth surface of a pure metal, on being heated,
becomes overspread with a mantling colour, which passes through a
series of appearances as the heat increases, this, we are persuaded,
indicates the aptitude of the metal to pass through the whole range of
colours. We find this phenomenon most beautifully exhibited in polished
steel; but silver, copper, brass, lead, and tin, easily present similar
appearances. A superficial oxydation is probably here taking place,
as may be inferred from the effects of the operation when continued,
especially in the more easily oxydizable metals.
512.
The same conclusion may be drawn from the fact that iron is more
easily oxydizable by acid liquids when it is red hot, for in this
case the two effects concur with each other. We observe, again, that
steel, accordingly as it is hardened in different stages of its
colorification, may exhibit a difference of elasticity: this is quite
natural, for the various appearances of colour indicate various degrees
of heat.[1]
513.
If we look beyond this superficial mantling, this pellicle of colour,
we observe that as metals are oxydized throughout their masses, white
or black appears with the first degree of heat, as may be seen in white
lead, iron, and quicksilver.
514.
If we examine further, and look for the actual exhibition of colour,
we find it most frequently on the _plus_ side. The mantling, so often
mentioned, of smooth metallic surfaces begins with yellow. Iron
passes presently into yellow ochre, lead from white lead to massicot,
quicksilver from æthiops to yellow turbith. The solutions of gold and
platinum in acids are yellow.
515.
The exhibitions on the _minus_ side are less frequent. Copper slightly
oxydized appears blue. In the preparation of Prussian-blue, alkalis are
employed.
516.
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