Goethe's Theory of ColoursGoethe, Johann Wolfgang von
Philosophy
Goethe's Theory of Colours
Goethe, Johann Wolfgang von
Color
The existence and the relatively definite character of colour are one
and the same thing. Light displays itself and the face of nature, as
it were, with a general indifference, informing us as to surrounding
objects perhaps devoid of interest or importance; but colour is at all
times specific, characteristic, significant.
696.
Considered in a general point of view, colour is determined towards one
of two sides. It thus presents a contrast which we call a polarity, and
which we may fitly designate by the expressions _plus_ and _minus_.
_Plus. Minus_.
Yellow. Blue.
Action. Negation.[1]
Light. Shadow.
Brightness. Darkness.
Force. Weakness.
Warmth. Coldness.
Proximity. Distance.
Repulsion Attraction.
Affinity with acids. Affinity with alkalis.
COMBINATION OF THE TWO PRINCIPLES.
697.
If these specific, contrasted principles are combined, the respective
qualities do not therefore destroy each other: for if in this
intermixture the ingredients are so perfectly balanced that neither
is to be distinctly recognised, the union again acquires a specific
character; it appears as a quality by itself in which we no longer
think of combination. This union we call green.
698.
Thus, if two opposite phenomena springing from the same source do not
destroy each other when combined, but in their union present a third
appreciable and pleasing appearance, this result at once indicates
their harmonious relation. The more perfect result yet remains to be
adverted to.
AUGMENTATION TO RED.
699.
Blue and yellow do not admit of increased intensity without presently
exhibiting a new appearance in addition to their own. Each colour, in
its lightest state, is a dark; if condensed it must become darker, but
this effect no sooner takes place than the hue assumes an appearance
which we designate by the word reddish.
700.
This appearance still increases, so that when the highest degree of
intensity is attained it predominates over the original hue. A powerful
impression of light leaves the sensation of red on the retina. In the
prismatic yellow-red which springs directly from the yellow, we hardly
recognise the yellow.
701.
This deepening takes place again by means of colourless
semi-transparent mediums, and here we see the effect in its utmost
purity and extent. Transparent fluids, coloured with any given hues, in
a series of glass-vessels, exhibit it very strikingly. The augmentation
is unremittingly rapid and constant; it is universal, and obtains in
physiological as well as in physical and chemical colours.
JUNCTION OF THE TWO AUGMENTED EXTREMES.
702.
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