Goethe's Theory of ColoursGoethe, Johann Wolfgang von
Philosophy
Goethe's Theory of Colours
Goethe, Johann Wolfgang von
Color
The principles of the harmony of colours having been thus far defined,
it may not be irrelevant to review what has been adduced in connexion
with experience and historical examples.
834.
The principles in question have been derived from the constitution of
our nature and the constant relations which are found to obtain in
chromatic phenomena. In experience we find much that is in conformity
with these principles, and much that is opposed to them.
835.
Men in a state of nature, uncivilised nations, children, have a great
fondness for colours in their utmost brightness, and especially for
yellow-red: they are also pleased with the motley. By this expression
we understand the juxtaposition of vivid colours without an harmonious
balance; but if this balance is observed, through instinct or accident,
an agreeable effect may be produced. I remember a Hessian officer,
returned from America, who had painted his face with the positive
colours, in the manner of the Indians; a kind of completeness or due
balance was thus produced, the effect of which was not disagreeable.
836.
The inhabitants of the south of Europe make use of very brilliant
colours for their dresses. The circumstance of their procuring silk
stuffs at a cheap rate is favourable to this propensity. The women,
especially, with their bright-coloured bodices and ribbons, are always
in harmony with the scenery, since they cannot possibly surpass the
splendour of the sky and landscape.
837.
The history of dyeing teaches us that certain technical conveniences
and advantages have had great influence on the costume of nations.
We find that the Germans wear blue very generally because it is a
permanent colour in cloth; so in many districts all the country people
wear green twill, because that material takes a green dye well. If
a traveller were to pay attention to these circumstances, he might
collect some amusing and curious facts.
838.
Colours, as connected with particular frames of mind, are again a
consequence of peculiar character and circumstances. Lively nations,
the French for instance, love intense colours, especially on the active
side; sedate nations, like the English and Germans, wear straw-coloured
or leather-coloured yellow accompanied with dark blue. Nations aiming
at dignity of appearance, the Spaniards and Italians for instance,
suffer the red colour of their mantles to incline to the passive side.
839.
In dress we associate the character of the colour with the character of
the person. We may thus observe the relation of colours singly, and in
combination, to the colour of the complexion, age, and station.
840.
Public-domain text, read in full here on John Shaqi.
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