Goethe's Theory of ColoursGoethe, Johann Wolfgang von
Philosophy
Goethe's Theory of Colours
Goethe, Johann Wolfgang von
Color
Another application is nearly allied to this; it might be called the
allegorical application. In this there is more of accident and caprice,
inasmuch as the meaning of the sign must be first communicated to us
before we know what it is to signify; what idea, for instance, is
attached to the green colour, which has been appropriated to hope?
918.
That, lastly, colour may have a mystical allusion, may be readily
surmised, for since every diagram in which the variety of colours may
be represented points to those primordial relations which belong both
to nature and the organ of vision, there can be no doubt that these may
be made use of as a language, in cases where it is proposed to express
similar primordial relations which do not present themselves to the
senses in so powerful and varied a manner. The mathematician extols
the value and applicability of the triangle; the triangle is revered
by the mystic; much admits of being expressed in it by diagrams, and,
among other things, the law of the phenomena of colours; in this case,
indeed, we presently arrive at the ancient mysterious hexagon.
919.
When the distinction of yellow and blue is duly comprehended, and
especially the augmentation into red, by means of which the opposite
qualities tend towards each other and become united in a third; then,
certainly, an especially mysterious interpretation will suggest itself,
since a spiritual meaning may be connected with these facts; and when
we find the two separate principles producing green on the one hand and
red in their intenser state, we can hardly refrain from thinking in the
first case on the earthly, in the last on the heavenly, generation of
the Elohim.--Note L L.
920.
But we shall do better not to expose ourselves, in conclusion, to
the suspicion of enthusiasm; since, if our doctrine of colours finds
favour, applications and allusions, allegorical, symbolical, and
mystical, will not fail to be made, in conformity with the spirit of
the age.
CONCLUDING OBSERVATIONS.
In reviewing this labour, which has occupied me long, and which at
last I give but as a sketch, I am reminded of a wish once expressed
by a careful writer, who observed that he would gladly see his works
printed at once as he conceived them, in order then to go to the task
with a fresh eye; since everything defective presents itself to us more
obviously in print than even in the cleanest manuscript. This feeling
may be imagined to be stronger in my case, since I had not even an
opportunity of going through a fair transcript of my work before its
publication, these pages having been put together at a time when a
quiet, collected state of mind was out of the question.[5]
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