Goethe's Theory of ColoursGoethe, Johann Wolfgang von
Philosophy
Goethe's Theory of Colours
Goethe, Johann Wolfgang von
Color
I leave it to observers themselves to compare the various gradations
of coloured squares, placed half on black half on white, only inviting
their attention to the apparent alteration which takes place in
contrary directions; for red and yellow appear elongated upwards if
on a black ground, downwards if on a white; blue, downwards if on a
black ground, upwards if on a white. All which, however, is quite in
accordance with the diffusely detailed examples above given.
278.
Let the observer now turn the figures so that the before-mentioned
squares placed on the line of division between black and white may
be in a horizontal series; the black above, the white underneath. On
looking at these squares through the prism, he will observe that the
red square gains by the addition of two red edges; on more accurate
examination he will observe the yellow border on the red figure, and
the lower yellow border upon the white will be perfectly apparent.
279.
The upper red edge on the blue square is on the other hand hardly
visible; the yellow border next it produces a dull green by mingling
with the figure; the lower red edge and the yellow border are displayed
in lively colours.
280.
After observing that the red figure in these cases appears to gain by
an addition on both sides, while the dark blue, on one side at least,
loses something; we shall see the contrary effect produced by turning
the same figures upside down, so that the white ground be above, the
black below.
281.
For as the homogeneous edges and borders now appear above and below
the blue square, this appears elongated, and a portion of the surface
itself seems even more brilliantly coloured: it is only by attentive
observation that we can distinguish the edges and borders from the
colour of the figure itself.
282.
The yellow and red squares, on the other hand, are comparatively
reduced by the heterogeneous edges in this position of the figures,
and their colours are, to a certain extent, vitiated. The blue edge
in both is almost invisible. The violet border appears as a beautiful
peach-blossom hue on the red, as a very pale colour of the same kind on
the yellow; both the lower edges are green; dull on the red, vivid on
the yellow; the violet border is but faintly perceptible under the red,
but is more apparent under the yellow.
283.
Public-domain text, read in full here on John Shaqi.
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