Goethe's Theory of ColoursGoethe, Johann Wolfgang von
Philosophy
Goethe's Theory of Colours
Goethe, Johann Wolfgang von
Color
Every inquirer should make it a point to be thoroughly acquainted with
all the appearances here adduced, and not consider it irksome to follow
out a single phenomenon through so many modifying circumstances. These
experiments, it is true, may be multiplied to infinity by differently
coloured figures, upon and between differently coloured grounds. Under
all such circumstances, however, it will be evident to every attentive
observer that coloured squares only appear relatively altered, or
elongated, or reduced by the prism, because an addition of homogeneous
or heterogeneous edges produces an illusion. The inquirer will now
be enabled to do away with this illusion if he has the patience to
go through the experiments one after the other, always comparing the
effects together, and satisfying himself of their correspondence.
Experiments with coloured objects might have been contrived in various
ways: why they have been exhibited precisely in the above mode, and
with so much minuteness, will be seen hereafter. The phenomena,
although formerly not unknown, were much misunderstood; and it was
necessary to investigate them thoroughly to render some portions of our
intended historical view clearer.
284.
In conclusion, we will mention a contrivance by means of which our
scientific readers may be enabled to see these appearances distinctly
at one view, and even in their greatest splendour. Cut in a piece of
pasteboard five perfectly similar square openings of about an inch,
next each other, exactly in a horizontal line: behind these openings
place five coloured glasses in the natural order, orange, yellow,
green, blue, violet. Let the series thus adjusted be fastened in an
opening of the camera obscura, so that the bright sky may be seen
through the squares, or that the sun may shine on them; they will thus
appear very powerfully coloured. Let the spectator now examine them
through the prism, and observe the appearances, already familiar by
the foregoing experiments, with coloured objects, namely, the partly
assisting, partly neutralising effects of the edges and borders, and
the consequent apparent elongation or reduction of the coloured squares
with reference to the horizontal line. The results witnessed by the
observer in this case, entirely correspond with those in the cases
before analysed; we do not, therefore, go through them again in detail,
especially as we shall find frequent occasions hereafter to return to
the subject.--Note P.
[1] Plate 3, fig. 1. The author always recommends making the
experiments on an increased scale, in order to see the prismatic
effects distinctly.
[2] Neither the description of the apparatus nor the recapitulation
of the whole theory, so often alluded to by the author, were ever
given.--T.
[3] Plate 3. fig. 1.
[4] The grey square is introduced in the same plate, fig. 1, above the
coloured squares.
XIX.
ACHROMATISM AND HYPERCHROMATISM.
285.
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