At the two opposite outlines of the image an opposite appearance presents itself, beginning from an acute angle;[1] the appearance spreads as it proceeds further in space, according to this angle. On one side, in the direction in which the luminous image is moved, a violet border advances on the dark, a narrower blue edge remains next the outline of the image. On the opposite side a yellow border advances into the light of the image itself, and a yellow-red edge remains at the outline. 329 (213). Here, therefore, the movement of the dark against the light, of the light against the dark, may be clearly observed. [Illustration] 330 (214). The centre of a large object remains long uncoloured, especially with mediums of less density and smaller angles; but at last the opposite borders and edges touch each other, upon which a green appears in the centre of the luminous image. 331 (215). Objective experiments have been usually made with the sun's image: an objective experiment with a dark object has hitherto scarcely been thought of. We have, however, prepared a convenient contrivance for this also. Let the large water-prism before alluded to be placed in the sun, and let a round pasteboard disk be fastened either inside or outside. The coloured appearance will again take place at the outline, beginning according to the usual law; the edges will appear, they will spread in the same proportion, and when they meet, red will appear in the centre[2]. An intercepting square may be added near the round disk, and placed in any direction _ad libitum_, and the spectator can again convince himself of what has been before so often described. 332 (216). If we take away these dark objects from the prism, in which case, however, the glass is to be carefully cleaned, and hold a rod or a large pencil before the centre of the horizontal prism, we shall then accomplish the complete immixture of the violet border and the yellow-red edge, and see only the three colours, the external blue, and yellow, and the central red. 333. If again we cut a long horizontal opening in the middle of a piece of pasteboard, fastened on the prism, and then cause the sun-light to pass through it, we shall accomplish the complete union of the yellow border with the blue edge upon the light, and only see yellow-red, green and violet. The details of this are further entered into in the description of the plates. 334 (217). The prismatic appearance is thus by no means complete and final when the luminous image emerges from the prism. It is then only that we perceive its elements in contrast; for as it increases these contrasting elements unite, and are at last intimately joined. The section of this phenomenon arrested on a plane surface is different at every degree of distance from the prism; so that the notion of an immutable series of colours, or of a pervading similar proportion between them, cannot be a question for a moment. [1] Plate 4. fig. 1. [2] Plate 4. fig. 2.