Goethe's Theory of ColoursGoethe, Johann Wolfgang von
Philosophy
Goethe's Theory of Colours
Goethe, Johann Wolfgang von
Color
The decline of the prismatic appearance must be preceded by its
separation, by its resolution into its elements. At a due distance from
the prism, the image of the sun being entirely coloured, the blue and
yellow at length mix completely, and we see only yellow-red, green, and
blue-red. If we bring the recipient surface nearer to the refracting
medium, yellow and blue appear again, and we see the five colours with
their gradations. At a still shorter distance the yellow and blue
separate from each other entirely, the green vanishes, and the image
itself appears, colourless, between the coloured edges and borders. The
nearer we bring the recipient surface to the prism, the narrower the
edges and borders become, till at last, when in contact with the prism,
they are reduced to nothing.
XXVI.
GREY OBJECTS.
341 (218).
We have exhibited grey objects as very important to our inquiry in the
subjective experiments. They show, by the faintness of the accessory
images, that these same images are in all cases derived from the
principal object. If we wish here, too, to carry on the objective
experiments parallel with the others, we may conveniently do this by
placing a more or less dull ground glass before the opening through
which the sun's image enters. By this means a subdued image would be
produced, which on being refracted would exhibit much duller colours on
the recipient plane than those immediately derived from the sun's disk;
and thus, even from the intense sun-image, only a faint accessory image
would appear, proportioned to the mitigation of the light by the glass.
This experiment, it is true, will only again and again confirm what is
already sufficiently familiar to us.
XXVII.
COLOURED OBJECTS.
342 (260).
There are various modes of producing coloured images in objective
experiments. In the first place, we can fix coloured glass before the
opening, by which means a coloured image is at once produced; secondly,
we can fill the water-prism with coloured fluids; thirdly, we can cause
the colours, already produced in their full vivacity by the prism, to
pass through proportionate small openings in a tin plate, and thus
prepare small circumscribed colours for a second operation. This last
mode is the most difficult; for owing to the continual progress of the
sun, the image cannot be arrested in any direction at will. The second
method has also its inconveniences, since not all coloured liquids can
be prepared perfectly bright and clear. On these accounts the first is
to be preferred, and deserves the more to be adopted because natural
philosophers have hitherto chosen to consider the colours produced
from the sun-light through the prism, those produced through liquids
and glasses, and those which are already fixed on paper or cloth, as
exhibiting effects equally to be depended on, and equally available in
demonstration.
343.
Public-domain text, read in full here on John Shaqi.
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