Goethe's Theory of ColoursGoethe, Johann Wolfgang von
Philosophy
Goethe's Theory of Colours
Goethe, Johann Wolfgang von
Color
The glasses employed for the experiments are to be regarded as the
utmost possible practical approach to transparence. By the intimate
contact, however, occasioned by the pressure applied to them, their
surfaces, we are persuaded, immediately become in a very slight
degree dimmed. Within this semi-transparence the colours immediately
appear, and every circle comprehends the whole scale; for when the two
opposites, yellow and blue, are united by their red extremities, pure
red appears: the green, on the other hand, as in prismatic experiments,
when yellow and blue touch.
453.
We have already repeatedly found that where colour exists at all, the
whole scale is soon called into existence; a similar principle may be
said to lurk in the nature of every physical phenomenon; it already
follows, from the idea of polar opposition, from which an elementary
unity or completeness results.
454.
The fact that a colour exhibited by transmitted light is different
from that displayed by reflected light, reminds us of those dioptrical
colours of the first class which we found were produced precisely in
the same way through semi-opacity. That here, too, a diminution of
transparency exists there can scarcely be a doubt; for the adhesion
of the perfectly smooth plates of glass (an adhesion so strong that
they remain hanging to each other) produces a degree of union which
deprives each of the two surfaces, in some degree, of its smoothness
and transparence. The fullest proof may, however, be found in the
fact that in the centre, where the lens is most strongly pressed on
the other glass, and where a perfect union is accomplished, a complete
transparence takes place, in which we no longer perceive any colour.
All this may be hereafter confirmed in a recapitulation of the whole.
455.
Second condition.--If after breathing on a plate of glass, the breath
is merely wiped away with the finger, and if we then again immediately
breathe on the glass, we see very vivid colours gliding through each
other; these, as the moisture evaporates, change their place, and at
last vanish altogether. If this operation is repeated, the colours are
more vivid and beautiful, and remain longer than they did the first
time.
456.
Quickly as this appearance passes, and confused as it appears to be, I
have yet remarked the following effects:--At first all the principal
colours appear with their combinations; on breathing more strongly, the
appearance may be perceived in some order. In this succession it may be
remarked, that when the breath in evaporating becomes contracted from
all sides towards the centre, the blue colour vanishes last.
457.
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