Goethe's Theory of ColoursGoethe, Johann Wolfgang von
Philosophy
Goethe's Theory of Colours
Goethe, Johann Wolfgang von
Color
Fifth condition.--Very delicate pellicles may be formed in various
ways: on these films we discover a very lively play of colours, either
in the usual order, or more confusedly passing through each other. The
water in which lime has been slaked soon skims over with a coloured
pellicle: the same happens on the surface of stagnant water, especially
if impregnated with iron. The lamellæ of the fine tartar which adheres
to bottles, especially in red French wine, exhibit the most brilliant
colours, on being exposed to the light, if carefully detached. Drops of
oil on water, brandy, and other fluids, produce also similar circles
and brilliant effects: but the most beautiful experiment that can be
made is the following:--Let aqua fortis, not too strong, be poured into
a flat saucer, and then with a brush drop on it some of the varnish
used by engravers to cover certain portions during the process of
biting their plates. After quick commotion there presently appears a
film which spreads itself out in circles, and immediately produces the
most vivid appearances of colour.
471.
Sixth condition.--When metals are heated, colours rapidly succeeding
each other appear on the surface: these colours can, however, be
arrested at will.
472.
If a piece of polished steel is heated, it will, at a certain degree
of warmth, be overspread with yellow. If taken suddenly away from the
fire, this yellow remains.
473.
As the steel becomes hotter, the yellow appears darker, intenser, and
presently passes into red. This is difficult to arrest, for it hastens
very quickly to bright blue.
474.
This beautiful blue is to be arrested if the steel is suddenly taken
out of the heat and buried in ashes. The blue steel works are produced
in this way. If, again, the steel is held longer over the fire, it soon
becomes a light blue, and so it remains.
475.
These colours pass like a breath over the plate of steel; each seems
to fly before the other, but, in reality, each successive hue is
constantly developed from the preceding one.
476.
If we hold a penknife in the flame of a light, a coloured stripe will
appear across the blade. The portion of the stripe which was nearest to
the flame is light blue; this melts into blue-red; the red is in the
centre; then follow yellow-red and yellow.
477.
This phenomenon is deducible from the preceding ones; for the portion
of the blade next the handle is less heated than the end which is in
the flame, and thus all the colours which in other cases exhibited
themselves in succession, must here appear at once, and may thus be
permanently preserved.
478.
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