Going to Maynooth: Traits and Stories of the Irish Peasantry, The Works of William Carleton, Volume ThreeCarleton, William
General
Going to Maynooth: Traits and Stories of the Irish Peasantry, The Works of William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
At length he heard a footstep; but he could not persuade himself that
the slow and lingering tread of the person approaching him was that
of Susan, so much did it differ from the buoyant and elastic step with
which she used to trip along. On looking through the branches, however,
he perceived her coming towards him, carrying the pitcher as usual in
her hand. The blood was already careering at full speed through his
veins, and the palpitations of his heart were loud enough to be heard by
the ear.
Oh, beauty, beauty! _terrima causa belli_, thou dost play the devil with
the hearts of men! Who is there who doth not wish to look upon thee,
from the saint to the sinner?--None. For thee worlds have been lost;
nations swept off the earth; thrones overturned; and cities laid in
ashes! Adam, David, Marc Antony, Abelard, and Denis O'Shaughnessy,
exhibit histories of thy power never to be forgotten, but the greatest
of these is Denis O'Shaughnessy.
Susan was about the middle size; her tresses, like those of the
daughters of her country, were a fair brown, and abundant. Her features
were not such, we admit, as mark regular and scientific perfection,
and perhaps much of their power was owing to their not being altogether
symmetrical. Her great charm consisted in a spirit of youthful
innocence, so guileless that the very light of purity and truth seemed
to break in radiance from her countenance. Her form was round, light,
and flexible. When she smiled her face seemed to lose the character of
its mortality--so seraphic and full of an indescribable spell were its
lineaments; that is, the spell was felt by its thrilling influence
upon the beholder, rather than by any extraordinary perception of her
external beauty. The general expression of her countenance, however, was
that of melancholy. No person could look upon her! white forehead and
dark flashing eyes, without perceiving that she was full of tenderness
and enthusiasm; but let the light of cheerfulness fall upon her face,
and you wished never to see it beam with any other spirit. In her met
those extremes of character peculiar to her country. Her laughing lips
expanded with the playful delicacy of mirth, or breathed forth, with
untaught melody and deep pathos, her national songs of sorrow.
Public-domain text, read in full here on John Shaqi.
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