Gold and glory; or, Wild ways of other days, a tale of early American discoveryStebbing, Grace
History
Gold and glory; or, Wild ways of other days, a tale of early American discovery
Stebbing, Grace
Mexico -- History -- Conquest, 1519-1540 -- Fiction
"But still," as Cortes told himself in the secresy of his own heart,
and as some of the more thoughtful of his men also told themselves as
they now looked down upon it for the first time, "wide as that causeway
was, some thousands of determined enemies upon it in their rear, the
thousands of the great city's inhabitants driving them in front, that
long causeway might well become the death-blow of them and their
exalted hopes."
There was a few minutes' pause. Some would not unwillingly have heard
the word of command for a retreat, while there was yet time. But that
word did not come. As Cabrera had once said so Cortes always thought:
"We must all die, and we can die but once."
The word of command was given to advance, and in no long time after,
the army had reached the city of Iztapalapan, where it was finally
determined to call a halt for the night, and make a first appearance
before the Emperor at a more seasonable hour on the following day.
With the first streak of dawn of the 8th November, 1519, the Spanish
general and his troops were astir. A lovely morning, the brilliant
beams of the sun gradually fading into dimness the innumerable sacred
fires of the assemblages of temples.
The whole city was visible to them. The wide-spreading palace of the
Emperor, like a second palace of the Cæsars, comprising many homes,
gardens of every description for plants and animals, and aviaries of
the most gorgeous description, within the one circle. Then the great
redstone mansions of the nobles, their roofs blooming like so many
exquisite parterres of flowers. The neat dwellings of the poorer
classes, of stone and unbaked bricks, here and there rudely adorned
with crossbar wooden rafters. Everywhere gardens, streets perfectly
kept and perfectly clean, and terraces.
Public-domain text, read in full here on John Shaqi.
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