Man-woman relationships -- Fiction; Nature -- Fiction; Triangles (Interpersonal relations) -- Fiction; Wales -- Fiction; Women -- Fiction
Bleatings and lowings, the evening caw of the rooks ascended to her; a
horse neighed, aggressively male. From some distance came the loud,
crude voice of a man singing. He sang, not in worship, not for the sake
of memory or melody or love, but for the same reason that people sing
so loudly in church--in the urgent need of expending superabundant
vitality. His voice rolled out under the purple sky as if he were the
first man, but half emerged from brutishness, pursuing his mate in a
world all fief to him, a world that revealed her as she fled through
the door of morning and the door of evening, rolling its vaporous
curtains back as she went through. It was Reddin, come forth from his
dark house, as his foraging ancestors had done, to take his will of the
weaponless and ride down the will of others. He did not confess even to
himself why he had come. His thoughts on sex were so prurient that, in
common with many people, he considered any frankness about it most
indecent. Sex was to him a thing that made the ears red. It is hard for
them that have breeding-stables to enter the kingdom of heaven. Too
often the grave, the majestic significance of the meeting of the
sexes--holding as it does the fate of the golden pageantry of life,
sacrificially spending as it does the present for the future--is
nothing to them. They see it only as a fillip to appetite. So Sally
Haggard usually spent most of the money earned by Reddin's stallion,
'The Pride of Undern.'
He put the horse to a gallop as he came up Hunter's Spinney, to quench
the voice that spoke within him, saying things he would not hear, that
spoke of love, and the tenderness and humility of love, and of how
these did not detract from the splendour of manhood, the fine rage of
passion, but rather glorified them. Something in his feeling for Hazel
answered that voice, and it worried him. By heredity and upbringing he
had been taught to dislike and mistrust everything that savoured of
emotion or ideas, to consider unmanly all that was of the spirit.
Therefore he sang more loudly as he saw on the hill-top the flutter of
Hazel's white dress, to quench the voice that steadfastly spoke of
mutual love as the one reason, the one consecration of passion in man
and woman. The hoof-beats thudded like a full pulse.
Hazel got up. Suddenly she was afraid of the place, more afraid than
she had ever been of the death-pack, which, this evening, she had
forgotten.
But before she could move away Reddin shouted to her and came up the
bridle-path. Hazel hesitated, swayed like the needle of a compass, and
finally stood still.
'What'n you wanting me for, Mr. Reddin?'
'Don't you know?'
'If I knew, I shouldna ask.'
'What do men generally want women for?'
'I'm not a woman. I dunna want to be. But what be it, anyway?'
He felt in his pocket and drew out a small parcel.
'There! Don't say the giving's all on your side,' he remarked.
Public-domain text, read in full here on John Shaqi.
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