Man-woman relationships -- Fiction; Nature -- Fiction; Triangles (Interpersonal relations) -- Fiction; Wales -- Fiction; Women -- Fiction
Reddin, with a kind of gauche gentleness, said: 'I'll show you the
house.'
They went through the echoing rooms, and looked out of the low,
spider-hung casements, where young ivy-leaves, soft and vivid, had
edged their way through the cracks. They stood under ceilings dark
with the smoke of fires and lamps that had been lit unnumbered years
ago for some old pathetic revelry. In cupboards left ajar by a hurried
hand that had long been still, hung gowns with flower-stains or
wine-stains on their faded folds. The doors creaked and sighed after
them, the floors groaned, and all about the house, though the summer
air was so light and low, there was a moaning of wind. It was as if
all the storms that had blown round it, the terror that had been felt
in it, the tears that had fallen in it, had crept like forgotten spirits
into its innermost recesses and now made complaint there for ever. A
lonely listener on a stormy night might hear strange voices uplifted--the
sobbing of children; songs of feasters; cries of labouring women; young
men's voices shouting in triumph; the long intonations of prayer; the
death-rattle.
And as Reddin and Hazel--surely the most strangely met of all couples
that had owned and been owned by this house--went through the darkening
rooms, they were not, it seemed, alone. A sense of witnesses perturbed
Hazel, a discomfort as from surveillance. A soft rumour, as of a mute
but moving multitude crept along the passages in their wake.
'Be there ghosses?' she whispered. 'I'd liefer sleep under the blue
roof-tree. I feel like corn under a millstone in this dark place.'
'It's said to be haunted, but I don't believe it.' He glanced over his
shoulder.
'Who by?'
'People that failed. Weaklings. Men that lost their money or their
women, and wives and daughters of the family that died young.'
'What for did they fail?'
'Silly ideas. Not knowing what they wanted.'
'Dear now! Foxy and me, we dunna allus know what we want.'
'You want me.'
'Maybe.'
'If you don't, you must learn to. And if you don't know what you want,
you'll come to smash.'
'But when I do know, folk take it off me.'
A long, mournful cry came down the passages.
Hazel screamed.
'Be that the lady as no gold comforts?' she whispered.
'No, you silly girl. It's a barn owl. But she's said to cry in the
coppy on Midsummer night.'
'Things crying out as have been a long while hurted,' murmured Hazel.
'To-night's Midsummer. Was she little, like me?'
'I don't know.'
'Did summat strong catch a holt of her?'
'A man did.' He laughed.
'Did she go young?'
'Yes, she died at nineteen.'
'And so'll it be with me!' she cried suddenly. 'So'll it be with me!
Dark and strong in the full of life.'
She flung herself on a faded blue settee and wept.
Public-domain text, read in full here on John Shaqi.
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