Man-woman relationships -- Fiction; Nature -- Fiction; Triangles (Interpersonal relations) -- Fiction; Wales -- Fiction; Women -- Fiction
She did not hear Reddin's reply; it was fierce and low. She wondered
who Sally Virtue was, but she was too tired to think much about it.
Afterwards Reddin had some whisky, and Vessons drank his health. Then
Reddin picked out 'It's a Fine Hunting Day' on the old piano, and sang
it in a rough tenor. Vessons joined in from the kitchen in a voice
quite free from any music, and the roaring chorus echoed through the
house.
'Eh, stop! I canna abide it!' cried Hazel; but they did not hear.
Vessons came and stood in the doorway with the teapot in one hand and
the expression of acute agony he always wore when singing.
'All trouble and care
Will be left far behind us at home!'
'Not for the little foxes!' cried Hazel, and she plucked the music from
the piano and ran past Vessons, knocking the teapot out of his hand.
She stuffed the music into the kitchen grate.
Vessons was petrified.
'Well,' he said, 'you've got the ways of wild-cats and spinsters the
world over.' This was an unwilling compliment. 'And I'll say this for
you, whatever else I canna say, you've got sperit enough for the eleven
thousand virgins!'
Reddin felt that the scene was hardly festive enough. He wondered that
he himself did not feel more jubilant; reaction had set in. He wished
that all should be gay as for a bridal, for he felt that this was a
bridal in all but the name.
But the old house, like a being lethargic after long revelry, clad in
torn and stained garments, seemed unready for mirth. Andrew was highly
antagonistic. The hound had bristled, growling, at the intruder; and
Hazel--?
He looked at Hazel under half-closed lids. Did she know what had
happened? He thought not. Perhaps intuition whispered to her. Certainly
she avoided his eyes. She sat drinking the tea, which Reddin, with much
exertion of authority, at last caused to appear. She was wan, and her
face looked very thin. Panic lingered about her eyes, at the corner of
her lips.
He realized that she was afraid of him--his look, his touch.
Immediately he wanted to exercise his power. He went across and took
her chin in his hand, laying the other on her shoulder.
Her eyelids trembled.
'What'n you after, mauling me?' she said.
Then a passion of tears shook her.
'Oh, I want Ed'ard and the old lady! I want to go back to the Mountain,
I do! Ed'ard'll be looking me up and down the country.'
'Good Lord, so he will!' said Reddin, 'and rousing the whole place. You
must write a letter, Hazel, to say you're safe and happy, and he's not
to worry.'
'But I amna.'
Reddin frowned at the spontaneity of this. But he made her write the
note.
'Saddle the mare, Vessons, and take this to the Mountain.'
'You dunna mind how much--' began Vessons. But Reddin cut him short.
'Get on,' he said, and Vessons knew by the tone that he had better.
'Push it under the parson's door, knock, and make yourself scarce,
Vessons,' Reddin ordered.
'You can go up to bed if you like, Hazel.'
Public-domain text, read in full here on John Shaqi.
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