Good-bye to all that : $b An autobiographyGraves, Robert
History
Good-bye to all that : $b An autobiography
Graves, Robert
Authors, English -- 20th century -- Biography; Graves, Robert, 1895-1985; World War, 1914-1918 -- Personal narratives, British
officers told me later what happened to himself. It had been agreed
to advance by platoon rushes with supporting fire. When his platoon
had run about twenty yards he signalled them to lie down and open
covering fire. The din was tremendous. He saw the platoon on the left
flopping down too, so he whistled the advance again. Nobody seemed
to hear. He jumped up from his shell-hole and waved and signalled
‘Forward.’ Nobody stirred. He shouted: ‘You bloody cowards, are you
leaving me to go alone?’ His platoon sergeant, groaning with a broken
shoulder, gasped out: ‘Not cowards, sir. Willing enough. But they’re
all f——ing dead.’ A machine-gun traversing had caught them as they rose
to the whistle.
♦ “the the” replaced with “the”
Our company too had become separated by the shelling. The Surrey-man
got a touch of gas and went coughing back. The Actor said he was
skrim-shanking and didn’t want the battle. This was unfair. The
Surrey-man looked properly sick. I do not know what happened to him,
but I heard that the gas was not much and that he managed, a few months
later, to get back to his own regiment in France. I found myself with
The Actor in a narrow trench between the front and support lines. This
trench had not been built wide enough for a stretcher to pass the
bends. We came on The Boy lying on his stretcher wounded in the lungs
and the stomach. Jamaica was standing over him in tears, blubbering:
‘Poor old Boy, poor old Boy, he’s going to die; I’m sure he is. He’s
the only one who was decent to me.’ The Actor found we could not get
by. He said to Jamaica: ‘Take that poor sod out of the way, will you?
I’ve got to get my company up. Put him into a dug-out or somewhere.’
Jamaica made no answer; he seemed paralysed by the horror of the
occasion. He could only repeat: ‘Poor old Boy, poor I old Boy.’ ‘Look
here,’ said The Actor, ‘if you can’t shift him into a dug-out we’ll
have to lift him on top of the trench. He can’t live now and we’re
late getting up.’ ‘No, no,’ Jamaica shouted wildly. The Actor lost his
temper and shook Jamaica roughly by the shoulders. ‘You’re the
bloody trench-mortar wallah, aren’t you?’ he asked fiercely. Jamaica
nodded miserably. ‘Well, your battery is a hundred yards from here. Why
the hell aren’t you using your gas-pipes on that machine-gun in the
Pope’s Nose? Buzz off back to them.’ And he kicked him down the trench.
Then he called over his shoulder: ‘Sergeant Rose and Corporal Jennings,
lift this stretcher up across the top of the trench. We’ve got to
pass.’ Jamaica leaned against a traverse. ‘I do think you’re the most
heartless beast I’ve ever met,’ he said weakly.
Public-domain text, read in full here on John Shaqi.
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