Good-bye to all that : $b An autobiographyGraves, Robert
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Good-bye to all that : $b An autobiography
Graves, Robert
Authors, English -- 20th century -- Biography; Graves, Robert, 1895-1985; World War, 1914-1918 -- Personal narratives, British
The thesis did not work out like a thesis. I found it difficult to keep
to an academic style and decided to write it as if it were an ordinary
book. Anyhow, I could expect no knowledge of or sympathy with modern
psychology from the literature committee that would read it. I rewrote
it in all nine times, and it was unsatisfactory when finished. I was
trying to show the nature of the supra-logical element in poetry. It
was only, I wrote, to be fully understood by close analysis of the
latent associations of the words used; the obvious prose meaning was
often in direct opposition to the latent content. The weakness of the
book lay in its not clearly distinguishing between the supra-logical
thought-processes of poetry and of pathology. Before it appeared I
had published _The Meaning of Dreams_, which was intended to be a
popular shillingsworth for the railway bookstall; but I went to the
wrong publisher and he issued it at five shillings. Being too simply
written for the informed public, and too expensive for the ignorant
public to which it was addressed, it fell flat; as indeed it deserved.
I published a volume of poems every year between 1920 and 1925; after
_The Pier-Glass_, published in 1921, I made no attempt to write for
the ordinary reading public, and no longer regarded my work as being
of public utility. I did not even flatter myself that I was conferring
benefits on posterity; there was no reason to suppose that posterity
would be more appreciative than my contemporaries. I only wrote when
and because there was a poem pressing to be written. Though I assumed
a reader of intelligence and sensibility and considered his possible
reactions to what I wrote, I no longer identified him with contemporary
readers or critics of poetry. He was no more real a person than
the conventional figure put in the foreground of an architectural
design to indicate the size of the building. As a result of this
greater strictness of writing I was soon accused of trying to get
publicity and increase my sales by a wilful clowning modernism. Of
these books, _Whipperginny_, published in 1923, showed the first signs
of my new psychological studies.
Public-domain text, read in full here on John Shaqi.
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