Good-bye to all that : $b An autobiographyGraves, Robert
History
Good-bye to all that : $b An autobiography
Graves, Robert
Authors, English -- 20th century -- Biography; Graves, Robert, 1895-1985; World War, 1914-1918 -- Personal narratives, British
The University was an invention of King Fuad’s, who had always been
anxious to be known as a patron of the arts and sciences. There had
been a Cairo University before this one, but it had been nationalistic
in its policy and, not being directed by European experts or supported
by the Government, had soon come to an end. The new University had
been planned ambitiously. There were faculties of science, medicine
and letters, with a full complement of highly-paid professors;
only one or two of these were Egyptian, the rest being English,
Swedish, French and Belgian. The medicine and science faculties were
predominantly English, but the appointments to the faculty of letters
were predominantly French. They had been made in the summer months
when the British High Commissioner was out of Egypt, or he would no
doubt have discountenanced them. Only one of the French and Belgian
professors had any knowledge of English, and none of them had
any knowledge of Arabic. Of the two hundred Egyptian students, who
were mostly the sons of rich merchants and landowners, fewer than
twenty had more than a smattering of French—just enough for shopping
purposes—though they had all learned English in the secondary schools.
All official university correspondence was in Arabic. I was told
that it was classical Arabic, in which no word is admitted that is
of later date than Mohammed, but I could not tell the difference.
The ‘very learned Sheikh’ Graves had to take his letters to the post
office for interpretation. My twelve or thirteen French colleagues
were men of the highest academic distinction. But two or three English
village-schoolmasters would have been glad to have undertaken their
work at one-third of their salaries and done it far better. The
University building had been a harem-palace of the Khedive. It was
French in style, with mirrors and gilding.
Public-domain text, read in full here on John Shaqi.
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