Southern States -- History -- 1865-1877 -- Fiction; Young men -- Fiction
"I knew I could always count on you, and I meant, of course, to come and
see you. The reason I have not come before I will explain to you
sometime. I was feeling a little sore over a matter--sheer lies that
some one has written." He shook the newspaper in his hand.
"Oh, don't mind that paper," said Norman. "The columns of that paper are
for hire. They belong at present to an old acquaintance of ours. They do
_me_ the honor to pay their compliments to my affairs now and then."
Keith walked up the street with a warm feeling about his heart. That
friendly face and kindly pressure of the hand had cheered him like
sunshine in a wintry day, and transformed the cold, cheerless city into
an abode of life and happiness. The crowds that thronged by him once
more took on interest for him. The faces once more softened into human
fellowship.
That evening, when Keith arrived at Norman Wentworth's, he found that
what he had termed his "little house" was, in fact, a very ample and
commodious mansion on one of the most fashionable avenues in the city.
Outside there was nothing to distinguish it particularly from the scores
of other handsome houses that stretched for blocks up and down the
street with ever-recurrent brown-stone monotony. They were as much alike
as so many box-stalls in a stable.
"If I had to live in one of these," thought Keith, as he was making his
way to keep his appointment, "I should have to begin and count my house
from the corner. No wonder the people are all so much alike!"
Inside, however, the personal taste of the owner counted for much more,
and when Keith was admitted by the velvety-stepped servant, he found
himself in a scene of luxury for which nothing that Norman had said had
prepared him.
A hall, rather contracted, but sumptuous in its furnishings, opened on a
series of drawing-rooms absolutely splendid with gilt and satin. One
room, all gold and yellow, led into another all blue satin, and that
into one where the light filtered through soft-tinted shades on
tapestries and rugs of deep crimson.
Public-domain text, read in full here on John Shaqi.
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