Southern States -- History -- 1865-1877 -- Fiction; Young men -- Fiction
Mrs. Lancaster bent forward and took a good look at the girl, who at the
moment was carrying on an animated conversation with Stirling. Her color
was coming and going, her eyes were sparkling, and her cheek was
dimpling with fun.
"She looks as if she came out of a country garden, doesn't she?" she
said.
"Yes, because she has, and has not yet been wired to a stick."
Mrs. Lancaster's eyes grew graver at Keith's speech. Just then the
conversation became more general. Some one told a story of a man
travelling with his wife and meeting a former wife, and forgetting which
one he then had.
"Oh, that reminds me of a story I heard the other day. It was awfully
good-but just a little wicked," exclaimed Mrs. Nailor.
Keith's smile died out, and there was something very like a cloud
lowering on his brow. Several others appeared surprised, and Mr. Nailor,
a small bald-headed man, said across the table: "Hally, don't you tell
that story." But Mrs. Nailor was not to be controlled.
"Oh, I must tell it! It is not going to hurt any of you. Let me see if
there is any one here very young and innocent?" She glanced about the
table. "Oh, yes; there is little Miss Huntington. Miss Huntington, you
can stop your ears while I tell it."
"Thank you," said Lois, placidly. She leaned a little forward and put
her fingers in her ears.
A sort of gasp went around the table, and then a shout of laughter, led
by Stirling. Mrs. Nailor joined in it, but her face was red and her eyes
were angry. Mrs. Wentworth looked annoyed.
"Good," said Mrs. Lancaster, in an undertone.
"Divine," said Keith, his eyes snapping with satisfaction.
"It was not so bad as that," said Mrs. Nailor, her face very red. "Miss
Huntington, you can take your hands down now; I sha'n't tell it."
"Thank you," said Lois, and sat quietly back in her chair, with her face
as placid as a child's.
Mrs. Nailor suddenly changed the conversation to Art. She was looking at
a painting on the wall behind Keith, and after inspecting it a moment
through her lorgnon, turned toward the head of the table.
"Where did you get that picture, Mrs. Wickersham? Have I ever seen it
before?"
The hostess's gaze followed hers.
"That? Oh, we have had it ever so long. It is a portrait of an ancestor
of mine. It belonged to a relative, a distant relative--another branch,
you know, in whose family it came down, though we had even more right to
it, as we were an older branch," she said, gaining courage as she
went on.
Mrs. Lancaster turned and inspected the picture.
"I, too, almost seem to have seen it before," she said presently, in a
reflective way.
"My dear, you have not seen it before," declared the hostess,
positively. "Although we have had it for a good while, it was at our
place in the country. Brush, the picture-dealer, says it is one of the
finest 'old masters' in New York, quite in the best style of Sir
Peter--What's his name?"
Public-domain text, read in full here on John Shaqi.
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