Southern States -- History -- 1865-1877 -- Fiction; Young men -- Fiction
His addiction to cards and drink had contributed to Mr. Plume's
overthrow, and after a disappearance from public view for some time he
had turned up just as Gumbolt began to be talked of, with a small sheet
somewhat larger than a pocket-handkerchief, which, in prophetic tribute
to Gumbolt's future manufactures, he christened the _Gumbolt Whistle_.
Mr. Plume offered to introduce Keith to "the prettiest woman in
Gumbolt," and, incidentally, to "the best cocktail" also. "Terpsichore
is a nymph who practises the Terpsichorean art; indeed, I may say,
presides over a number of the arts, for she has the best faro-bank in
town, and the only bar where a gentleman can get a drink that will not
poison a refined stomach. She is, I may say, the leader of
Gumbolt society."
Keith shook his head; he had come to work, he declared.
"Oh, you need not decline; you will have to know Terpy. I am virtue
itself; in fact, I am Joseph--nowadays. You know, I belong to the
cloth?" Keith's expression indicated that he had heard this fact. "But
even I have yielded to her charms--intellectual, I mean, of course."
Mr. Plume withdrew after having suggested to Keith to make him a small
temporary loan, or, if more convenient, to lend him the use of his name
on a little piece of bank-paper "to tide over an accidental and
unexpected emergency," assuring Keith that he would certainly take it up
within sixty days.
Unfortunately for Keith, Plume's cordiality had made so much impression
on him that he was compliant enough to lend him the use of his name, and
as neither at the expiration of sixty days, nor at any other time, did
Mr. Plume ever find it convenient to take up his note, Keith found
himself later under the necessity of paying it himself. This
circumstance, it is due to Mr. Plume to say, he always deplored, and
doubtless with sincerity.
* * * * *
Women were at a premium in Gumbolt, and Mr. Plume was not the only
person who hymned the praises of "Terpsichoar," as she was mainly
called. Keith could not help wondering what sort of a creature she was
who kept a dance-house and a faro-bank, and yet was spoken of with
unstinted admiration and something very like respect by the crowd that
gathered in the "big room of the Windsor." She must be handsome, and
possibly was a good dancer, but she was no doubt a wild, coarse
creature, with painted cheeks and dyed hair. The mental picture he
formed was not one to interfere with the picture he carried in
his heart.
Public-domain text, read in full here on John Shaqi.
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