Apocalyptic fiction; England -- Fiction; Epidemics -- Fiction; Science fiction
Blanche watched without comment. Mrs Gosling was plunged in
meditation. She was involved in an immense problem relating to the
housekeeping at Wisteria Grove. She was debating whether the lace
curtains at the front windows could be washed at home when they
went back.
Suddenly the attention of the three younger women was caught by
unnatural sounds that came from the further side of the wall against
which they were leaning--sounds of voices, laughing and singing,
the crunch of wheels and the stamping of horses.
The two girls jumped to their feet. Mrs Isaacson rose more
deliberately, with a grunt of expostulation. Mrs Gosling was in a
world far removed and continued to debate her problem.
Millie's hands were fumbling at her hair, and Blanche was first at
the gate.
"Oh! my!" she exclaimed. "Why, whatever...."
"Goody!" squealed Millie, still struggling with her loose mane.
3
The centre and object of the curious crowd which moved slowly down
the drive was a landau and pair. The horses were decorated as if
for a May-day fête, grotesquely, foolishly decorated with roses,
syringa and buttercups made into shapeless bunches and tied to the
harness. Three or four women walked at the horses' heads, leading
them with absurdly beflowered ropes.
Round the landau a dozen girls and young women were dancing,
chattering, singing, laughing; constantly turning to the occupant
of the carriage, for whose benefit the whole performance was being
conducted. Some of them had their necks and breasts bare, and all
appeared to be frankly shameless. They twisted and danced with
clumsy eagerness, threw themselves about, screamed and shrieked,
unaware of any observer but the one whose notice they were seeking
to attract. They were graceless, civilized savages; Bacchantes who
had never known the beauty of unconscious abandonment. There was the
ugliness of conscious purpose in their every attitude, and no trace
of the freedom that comes from careless rapture.
In the carriage a man and a woman were sitting side by side. The
man was young, with strong claims to physical beauty--tall,
broad-shouldered, swarthy, with boldly modelled features and heavily
lidded eyes. But his skin was coarse; the bulk of his body was too
gross for clean, muscular strength; his curly, well-oiled hair was
thinning at the temples; his loose mouth leered and gaped. He was
dressed in a suit of broadly-patterned tweed, his great red fingers
were covered with rings, he wore a heavy gold bangle on each thick,
round wrist, and a sweet, frail rose was thrust into his black and
greasy hair.
Public-domain text, read in full here on John Shaqi.
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