_Is it a party in a parlour?
Cramm'd just as they on earth were cramm'd--
Some sipping punch, some sipping tea,
But, as you by their faces see,
All silent and all damned!_
So deplorable is the waggishness of a person, however gifted, who has
no sense of humour! This simile was too much for the gravity even of
intimate friends like Southey and Lamb, and after the second edition
it disappeared.
THE FANCY
THE FANCY: _A Selection from the Poetical Remains of the late Peter
Corcoran, of Gray's Inn, student at law. With a brief Memoir of his
life. London: printed for Taylor & Hessey, Fleet Street_. 1820.
The themes of the poets run in a very narrow channel. Since the old
heroic times when the Homers and the Gunnlaugs sang of battle with the
sleet of lances hurtling around them, a great calm has settled down
upon Parnassus. Generation after generation pipes the same tune of
love and Nature, of the liberal arts and the illiberal philosophies;
the same imagery, the same metres, meander within the same polite
margins of conventional subject. Ever and anon some one attempts to
break out of the groove. In the eighteenth century they made a valiant
effort to sing of The Art of Preserving Health, and of The Fleece and
of The Sugar-Cane, but the innovators lie stranded, like cumbrous
whales, on the shore of the ocean of Poesy. Flaubert's friend, Louis
Bouilhet, made a inartful attempt to tune the stubborn lyre to music
of the birthday of the world, to battles of the ichthyosaurus and the
plesiosaurus, to loves of the mammoth and the mastodon. But the public
would have none of it, though ensphered in faultless verso, and the
poets fled back to their flames and darts, and to the primrose at the
river's brim. There is, however, something pathetic, and something
that pleasantly reminds us of the elasticity of the human intellect in
these failures; and the book before us is an amusing example of such
eccentric efforts to enlarge the sphere of the poetic activity.
This little volume is called _The Fancy_, and it does not appear to me
certain that the virtuous American conscience know what that means. If
the young ladies from Wells or Wellesley inquire ingenuously, "Tell us
where is Fancy bred?" we should have to reply, with a jingle, In the
fists, not in the head. The poet himself, in a fit of unusual candour,
says:
_Fancy's a term for every blackguardism_,
Public-domain text, read in full here on John Shaqi.
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