Gossip in the First Decade of Victoria's ReignAshton, John
History
Gossip in the First Decade of Victoria's Reign
Ashton, John
Great Britain -- Social life and customs -- 19th century
Just before the closing of the British Museum at 4 p.m. on 7 Feb., a
crash was heard, and the famous Barberini, or Portland Vase, was found in
pieces on the floor. A man, named Lloyd, in a fit of delirium produced
by drink, had smashed it out of pure wantonness. The vase was valued at
£1,000 by the Museum authorities, but, of course, that sum was purely
nominal, as the vase was unique. It was deposited in the British Museum
in the year 1810 by the Duke of Portland, and was considered as his
property; hence the name of the “Portland Vase.” It was found about the
middle of the 16th century, about two and a half miles from Rome, on the
road leading from Frascati. At the time of its discovery it was enclosed
in a marble sarcophagus, within a sepulchral chamber, under the mount
called Monte di Grano. The material of which it is made is glass, the
body being of a beautiful transparent dark blue, enriched with figures in
relief, of opaque white glass. For more than two centuries it was the
principal object of admiration in the Barberini Palace. It came into the
possession of Sir William Hamilton, from whom it was purchased by the
Duchess of Portland.
On 11 Feb. the delinquent was brought before Mr. Jardine, at Bow Street,
and the Museum authorities electing to prosecute him for the minor
offence of breaking the glass case which held the vase, and which was
under the value of £5, he was convicted of that offence, and sentenced to
pay £3, or two months’ hard labour in the House of Correction. He could
not pay, and was committed to prison, in default, but on 13 Feb., someone
paid the money, and the man was released.
An employé of the British Museum, named Doubleday, undertook, and
effected, the restoration of the Vase, and it may now be seen in the Gold
Room of the British Museum, but, alas! “all the King’s horses, and all
the King’s men,” can never make it as it was. Wedgwood feebly reproduced
it in ceramic ware, copies of which are now worth £200 each, and one
copy, if not more, was made in silver.
Public-domain text, read in full here on John Shaqi.
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