Goya, an account of his life and worksCalvert, Albert Frederick
History
Goya, an account of his life and works
Calvert, Albert Frederick
Goya, Francisco, 1746-1828
The Royal Palace, Monastery, and Mausoleum of El Escorial, which
rears its gaunt, grey walls in one of the bleakest but most
imposing districts in the whole of Spain, was erected to
commemorate a victory over the French in 1557. It was occupied and
pillaged by the French two and a-half centuries later, and twice it
has been greatly diminished by fire; but it remains to-day, not
only the incarnate expression of the fanatic religious character
and political genius of Philip II., but the greatest mass of
wrought granite which exists on earth, the leviathan of
architecture, the eighth wonder of the world.
In the text of this book the author has endeavoured to reconstitute
the glories and tragedies of the living past of the Escorial, and
to represent the wonders of the stupendous edifice by reproductions
of over two hundred and seventy of the finest photographs and
pictures obtainable. Both as a review and a pictorial record it is
hoped that the work will make a wide appeal among all who are
interested in the history, the architecture, and the art of Spain.
* * * * *
_UNIFORM WITH THIS VOLUME_
TOLEDO
A HISTORICAL AND DESCRIPTIVE ACCOUNT OF THE “CITY OF GENERATIONS,” WITH
510 ILLUSTRATIONS
The origin of Imperial Toledo, “the crown of Spain, the light of
the world, free from the time of the mighty Goths,” is lost in the
impenetrable mists of antiquity. Mighty, unchangeable, invincible,
the city has been described by Wörmann as “a gigantic open-air
museum of the architectural history of early Spain, arranged upon a
lofty and conspicuous table of rock.”
But while some writers have declared that Toledo is a theatre with
the actors gone and only the scenery left, the author does not
share the opinion. He believes that the power and virility upon
which Spain built up her greatness is reasserting itself. The
machinery of the theatre of Toledo is rusty, the pulleys are jammed
from long disuse, but the curtain is rising steadily if slowly, and
already can be heard the tuning-up of fiddles in its ancient
orchestra.
In this belief the author of this volume has not only set forth the
story of Toledo’s former greatness, but has endeavoured to place
before his readers a panorama of the city as it appears to-day, and
to show cause for his faith in the greatness of the Toledo of the
future.
* * * * *
_UNIFORM WITH THIS VOLUME_
SEVILLE
A HISTORICAL AND DESCRIPTIVE ACCOUNT, WITH 300 ILLUSTRATIONS
Public-domain text, read in full here on John Shaqi.
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