Goya, an account of his life and worksCalvert, Albert Frederick
History
Goya, an account of his life and works
Calvert, Albert Frederick
Goya, Francisco, 1746-1828
Your excellency has not replied to a letter of mine, in which I
said that the portraits were finished, and also the copy of your
excellency’s by Esteve which only lacked the inscription for which
he has asked me several times. I also suggested that if your
excellency approved I would get the frames made for the originals
and would myself go and put them where your excellency might order,
so that you might have the pleasure of finding them in their
places.
I only desire your excellency’s orders and that you keep well. May
God preserve your excellency’s valuable life for many
years.--Madrid, October 9, 1803.--Your excellency’s obedient and
grateful servant,
FRANCISCO DE GOYA.
To his Excellency Señor Don Miguel Cayetano Soler.
The technical excellence of the Caprichos makes them comparable with
those of Rembrandt, while in their meaning and character they may be
likened to the work of Daumier. There are the peculiar qualities of
Goya’s etching, which recall the truth and naturalness of Fernando Boll,
the movement and life of Lievens and Konninck, and the expression and
charm of Von Vliet? These artists, whose best individual qualities are
all combined in Goya, were pupils of Rembrandt. ‘Only Hokusai,’ writes
Mr. Rothenstein, ‘was capable of such monstrous gaiety, such stinging
satire, and he alone could have lent probability to such monstrous
phantasy; Hogarth was too sermonising, Rowlandson too rollicking; a
certain diabolical side of his nature, which Goya allowed to be seen
both in the “Caprichos” and “The Disasters,” has probably prevented his
etchings gaining a footing in England.’ Certain it is that Goya’s prints
are rarely to be met with in this country--a fact that caused the writer
of this book to spare no effort in order to include in the
illustrations, reproductions of every etching and lithograph, as well as
of every portrait or picture of Goya’s, of which he could secure an
impression.
Public-domain text, read in full here on John Shaqi.
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