Formerly in the collection Lacour, Bordeaux. Doubtful. 83. The Register. Reproduction of Caprice No. 57. Monsieur ‘X,’ Florence. Doubtful. 84. ‘Swallow that, you dog!’ Reproduction of Caprice No. 58. Monsieur ‘X,’ Florence. Doubtful. 85. ‘You will not always escape!’ Reproduction of Caprice No. 72. Paris sale, 1899. Doubtful. 86. ‘It is better to let it alone.’ (Mejor es holgar.) Reproduction of Caprice No. 73. Paris sale, 1899, with preceding. Doubtful. 87. Two grotesque half-length figures. Formerly in the Spanish Gallery of the Louvre. M. Comartin, Paris. 88. Caprice. Marqués de Casa Jimenez. 89. Caprice. A monk throwing books and papers in the fire. Formerly in collection of Don Constantino Ardanaz, Madrid. 90. Caprice. Don Alejandro Pidal, Madrid. 91. Caprice. Three balloons in the air; one carrying a donkey, the second a bull, the third a child. Formerly in Madrazo Collection, Madrid. 92. Caprice. Doña Carmen Berganza de Martin, Madrid. Signed ‘Goya, año 1795.’ 93. Caprice. Tradition says that two of the persons represented in the picture are Don Luis Berganza and a little negress picked up by the Duquesa de Alba. In the right-hand corner is written ‘Luis Berganza, año 1795, Goya.’ Doña Carmen Berganza de Martin, Madrid. 94. Caprice. Mme. de Lacy, Bordeaux-Caudéron. Doubtful. 95. Caprice. Mme. de Lacy, Bordeaux-Caudéron. Doubtful. 96-117. Caprices. Formerly in collection Leon Daguerre Hospital de Madrid. Doubtful. 118-133. Caprices. Formerly in collection of Don José Maria d’Estoup de Murcia. Doubtful. 134. Dogs and Hunting Accessories. Design for tapestry. The Prado, Madrid. 135. Dead Turkey. The Prado, Madrid. 136. Dead Birds. The Prado, Madrid. 137. Bull-Fight. The bull is charging. Village background. Academia de San Fernando, Madrid. 138. Bull-Fight. A stirring scene in a provincial arena. Mme. de Lacy, Bordeaux-Caudéron. 139. A Galloping Picador. The Prado, Madrid. 140. Death of the Picador. The picador is impaled on a horn of the bull. At the Carlin sale, Paris, 1872--4600 francs. 141. Bull-Fight. The scene is enacting in a cloud of dust. A picador extricating himself from his disembowelled horse. 142. Bull-Fight. The picture represents an arena divided after the manner of lists at a tournament; a bull on either side of the barrier attacking or attacked. Sold in Paris, 1875, for 7500 francs. 143. Bull-Fight. A dense crowd in the foreground watching the course of the contest. M. Sigismond Bardac, Paris. 144. Bull-Fight. The bull has overthrown a toreador, whose companions hasten to his assistance. Companion to the preceding. M. Sigismond Bardac, Paris. 145. Retaliation. Three bulls have turned upon their custodians and borne them to the earth. W. Mackay, Esq., London. 146. Bull and Picador. A picador, accompanied by chulos and toreadors, attacks the bull. Marqués de Baroja, Madrid. 147. Bulls at Home.