Graham's Magazine, Vol. XIX, No. 1, July 1841Various
General
Graham's Magazine, Vol. XIX, No. 1, July 1841
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
“Madam,” said Mr. Nivernois, “I just met an eccentric friend of mine
going out of the door, who I imagine must have made a most unauthorized
entry into your house, in a fit of absence, and behaved in a very
ridiculous manner, when in it. In fact, he requested me to offer on his
behalf the fullest apology for his maniacal conduct, and to beg from
your courtesy an act of oblivion. He is a harmless madman,—one of that
numerous class who are suffered by their friends to go abroad without
strait-jackets.”
“Any friend of yours,” said Mrs. Stanhope, “is extremely welcome to come
into my house at all times; and even had the eccentricities of this
gentleman been at all objectionable, we should have been more than
compensated by the admirable display which he made upon the piano. As a
pupil of Calebrenner’s, I consider myself something of a judge; and I
never heard so rich a strain of harmony.”
“Why, as for that, I do not know that he differs materially from any one
else. Everybody carries a Marengo, a Childe Harold, and a Sonnambula in
his blood; the only difficulty is to get them out.”
“Pray, Mr. Nivernois,” said Mrs. Althorpe, with a certain look of a high
bred woman, not unmixed with something of comic, “What is it you have
under your arm.”
“Portable bliss,—the potentiality of a happiness beyond the dreams of
one who is not a lover,—ecstasy in a roll,—perfect delight on
canvass;” and he opened the picture and held it up.
Mrs. Althorpe made a sign to Mrs. Stanhope to be silent.
“Do you know whose portrait it is?” said Mrs. Althorpe.
“I cannot for my life discover.”
“Do you then so much wish to find the original?”
“A question, truly! I do.”
“Is it not beautiful?”
“Is not what beautiful?”
“The painting.”
“I cannot speak of these matters now. For the moment I am at war with
_virtû_. It _may_ be divine—perhaps it is so. One thing I feel—the
impotence of the artist. What he has succeeded in en-canvassing speaks
only to my soul of a more radiant loveliness—that of motion, of
thought, of heart—for which the pencil has no outline, the pallet no
dye.”
“You are an enigma, and my query is unanswered. I will put it in another
form. Is _she_ not beautiful?”
“She is.”
“How did you become possessed of the picture?”
“I saw it in the exhibition, and as they refused to sell it to me, I cut
it out and brought it away.”
Mrs. Althorpe fell back into her chair, overpowered by irresistible
laughter at the oddness of the incident, and the solemn gravity with
which Nivernois stood eyeing the picture. An idea occurred to her by
which she might give this matter a turn to her mind.
“I cannot imagine, of course,” said she, “whose portrait it is. But if
you will come to my house to-night, I shall have some young ladies
there, and it is possible that the fair original may be among them. We
shall have _tableaux vivants_, and I think you will find it pleasant.”
“I will come with the utmost pleasure, even if the lady be not there.”
Public-domain text, read in full here on John Shaqi.
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