Graham's Magazine, Vol. XIX, No. 1, July 1841Various
General
Graham's Magazine, Vol. XIX, No. 1, July 1841
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Mr. Pue may attempt to justify his phraseology here, by saying that the
several sentences, quoted above, commencing with the words, “A mode,”
are merely continuations of the one beginning “For these purposes;” but
this is no justification at all. By the use of the period, he has
rendered each sentence distinct, and each must be examined as such, in
respect to its grammar. We are only taking the liberty of condemning Mr.
P. by the words of his own mouth. Turning to page 72, where he treats of
punctuation, we read as follows:—“The full point is used at the end of
every complete sentence; and a complete sentence is a collection of
words making a complete sense, without being dependent upon another
collection of words to convey the full meaning intended.” Now, what kind
of a meaning can we give to such a sentence as “A mode that was adopted
by Chesterfield in his celebrated instructions on politeness,” if we are
to have “no dependence upon” the sentences that precede it? But, even in
the supposition that these five sentences had been run into one, as they
should have been, they would still be ungrammatical. For example—“For
these purposes I have written my lessons in a series of letters—a mode
that affords more opportunity for plainness, familiarity, instruction,
and entertainment than any other—a mode, etc.” This would have been the
proper method of punctuation. “A mode” is placed in apposition with “a
series of letters.” But it is evident that it is _not_ the “series of
letters” which is the “mode.” It is _the writing the lessons_ in a
series which is so. Yet, in order that the noun “mode” can be properly
placed in apposition with what precedes it, this latter must be either a
noun, or a sentence, which, taken collectively, can serve as one. Thus,
in any shape, all that we have quoted is bad grammar.
We say “_bad grammar_,” and say it through sheer obstinacy, because Mr.
Pue says we should not. “Why, what is grammar?” asks he indignantly.
“Nearly all grammarians tell us that grammar is the writing and speaking
of the English language correctly. What then is bad grammar? Why bad
grammar must be the bad writing and speaking of the English language
correctly!!” We give the two admiration notes and all.
In the first place, if grammar be only the writing and speaking the
_English_ language correctly, then the French, or the Dutch, or the
Kickapoos are miserable, ungrammatical races of people, and have no
hopes of being anything else, unless Mr. Pue proceeds to their
assistance:—but, let us say nothing of this for the present. What we
wish to assert is, that the usual definition of grammar, as “the writing
and speaking _correctly_,” is an error which should have been long ago
exploded. Grammar is the analysis of language, and this analysis will be
_good_ or _bad_, just as the capacity employed upon it be weak or
strong—just as the grammarian be a Horne Tooke or a Hugh A. Pue.
Public-domain text, read in full here on John Shaqi.
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