Graham's Magazine, Vol. XIX, No. 1, July 1841Various
General
Graham's Magazine, Vol. XIX, No. 1, July 1841
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The simple truth is, that Mr. Downing never committed a greater mistake
in his life than when he fancied himself a poet, even in the ninty-ninth
degree. We doubt whether he could distinctly state the difference
between an epic and an epigram. And it will not do for him to appeal
from the critic to _common_ readers—because we assure him his book is a
very _un_common book. We never saw any one so uncommonly bad—nor one
about whose parturition so uncommon a fuss has been made, so little to
the satisfaction of common sense. Your poem is a curiosity, Mr. Jack
Downing; your “Metrical Romance” is not worth a single half sheet of the
paste-board upon which it is printed. This is our humble and honest
opinion; and, although honest opinions are not very plentiful just now,
you can have ours at what it is worth. But we wish, before parting, to
ask you one question. What _do_ you mean by that motto from sir Philip
Sidney, upon the title-page? “He cometh to you with a tale that holdeth
children from play, and old men from the chimney-corner.” What do you
mean by it, we say. Either you cannot intend to apply it to the “_tale_”
of Powhatan, or else all the “old men” in your particular neighbourhood
must be _very_ old men; and all the “little children” a set of
dunder-headed little ignoramuses.
* * * * *
_Miscellanies of Literature. By the Author of Curiosities of
Literature. 3 vols. J. & H. Langley, New York: 1841._
These volumes remind us of Coke upon Lyttleton, with which whilom we
were wont to be delighted; for they are full of the same odd conceits,
and present the same crude mass of undigested learning. Facts which no
one else would ever have hunted up from the shelves of dusty libraries;
theories which hitherto no man thought of substantiating by a reference
to biography or history; ideas, which are oddities in themselves, and
which are presented in the quaintest style; and illustrations of notions
that no one else would ever have thought of, or which, if thought of,
would not have been dressed up in so outlandish a manner, are all
marshalled together here in disorderly array, pushing, jostling, and
crowding each other until they remind one of Falstaff’s valorous
regiment, or a militia training in a midland county.
Seriously, however, these miscellanies embody a vast amount of
out-of-the-way intelligence, interesting to the general, but absolutely
necessary to the literary reader. No man but D’Israeli would ever have
had the patience to compile such a work. His ideas on the literary
character; his observations on men of genius; and his sketch of King
James the first, embody a vast body of undigested facts that must have
consumed years merely in their collection. Industry, however, is the
only merit of these volumes: in arranging this vast mass of truths,
D’Israeli has shown anything but a comprehensive mind.
The work is got up in fine style, as what work is not, when issued by
the Langleys?
Public-domain text, read in full here on John Shaqi.
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