Graham's Magazine, Vol. XL, No. 1, January 1852Various
General
Graham's Magazine, Vol. XL, No. 1, January 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
He was ushered into the chamber of death; and a cold thrill of emotion
almost unnerved him as he looked on the bier, with the sharp outline of
a human form clearly defined beneath the white coverlet that lay above
it. The withered flowers which were strewn over it, seemed but to mock
the stern conqueror who had laid his strong grasp on the marble form of
the dead, and he removed them, though he withheld his hand from raising
the veil which shrouded her features, until the servant who had been
sent to his studio had fulfilled his commission and departed.
It was a bright day, and the garish sun streamed into the room. With the
eye of his profession for effect, he lowered the crimson curtains before
the windows, that their reflection might throw the rosy hue of life on
the pallid features he was to delineate.
He paused as he stood beside the bier, with his hand upon the linen that
shrouded her features. Some deep emotion appeared struggling in his
mind, and he withdrew his hand. Ashamed of his hesitation, with a sudden
effort he threw back the covering, and with a cry, sunk upon the floor.
An hour passed, and with glazed eyes, and horror-struck visage, the
painter cowered beside the bier, with his immovable gaze fixed on the
still face before him.
“His wife!” he muttered at intervals; “His wife!—false—false to me—I
that loved her so madly—trusted her so fondly! His wife—his wife!”
At length he arose, and seizing his brush, commenced painting with a
rapidity and success that surprised himself. The picture speedily grew
under his hands into life and beauty; but it did not represent the dull
room with its lifeless inmate. The starry heavens, and the green vale
were faithfully delineated—a young girl, in the pride of successful
beauty, leaned against an open window—and he livingly portrayed the
peerless loveliness of the embodiment of his young ideal.
Before her knelt a youth wearing the features of the artist himself, but
so changed—so full of the anguish of a broken spirit, that one glance
revealed the history of his slighted love and maddened heart.
* * * * *
Mervin went forth from that apartment with faltering steps, and the cold
dew of agony upon his brow. How he reached his home he knew not. He
found a letter on the table—it was the long-delayed communication of
Dr. L——; he retained self-command enough to read and understand its
contents—but it was the last effort of his over-wrought mind.
His words to his lost love had been prophetic! The tie that bound him to
reason was rent—the bright promise of his opening years buried in the
grave of his young idol.
Some kind friend restored him to his native land; and he now wanders
about the home of his father, a melancholy and harmless wreck.
* * * * *
THE TRIUMPH OF GENIUS.
ILLUSTRATED BY AN INCIDENT IN THE LIFE OF SCHILLER.
Public-domain text, read in full here on John Shaqi.
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