Graham's Magazine, Vol. XL, No. 2, February 1852Various
General
Graham's Magazine, Vol. XL, No. 2, February 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Mrs. Smithson, we have seen, had determined that Mrs. Jones’s “set” were
not to become her “set.” She was willing to bide her time. She was aware
that great events are usually the creatures of slow growth. They may at
the last grow with rapidity, but the seed which produces them has been
for a long time germinating. She believed that a cultivated mind and
accomplished person joined to a determined will, can achieve anything it
pleases in the social as in other worlds, and she was determined to
prove the truth of her convictions in her own case, and so she went on
improving her mind, perfecting her accomplishments and biding her time.
Mr. Smithson, like all other reputable gentlemen, had, on becoming a
married man, taken a pew in church. It was in a fashionable church,
which then meant an Episcopal church, for fashion in those days was
pretty much monopolized in Quakerdelphia by Episcopalians and a few
degenerate descendants of the co-religionists of Penn, who had departed
wofully in dress and manners from the primitive simplicity of “Friends.”
Now-a-days things are somewhat altered, as one may perceive at a glance
on entering some of the Presbyterian churches in the fashionable part of
the city—the display of velvets, brocades and furs, the oceans of
feathers and parterres of flowers show that their owners have entered on
the race, and that it is almost a dead heat. Nor has the innovation
ceased here. The full, rich, deep swell of the organ has been
substituted for the bass-viol, and (rise not at the mention of it,
shades of Knox and Calvin,) it is rumored that your descendants are
about to worship in a Gothic temple, with its windows of stained-glass
through which the “dim religious light” is to penetrate, and dim enough
it is during our short winter afternoons. Whether the resemblance to the
“Mass-houses” which were torn down in the sixteenth century is to be
carried out fully in the interior as well as exterior, we have not
learned, nor whether it is only to be confined to “sedilia,” “screen,”
“south-porch,” “octagonal font at the door,” or whether any or none of
these remains of Medievalism are to have a place within. The
“Ecclesiologist” no doubt can enlighten our readers, and to that we
refer them.
Public-domain text, read in full here on John Shaqi.
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