Graham's Magazine, Vol. XL, No. 2, February 1852Various
General
Graham's Magazine, Vol. XL, No. 2, February 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Thus, from station on to station,
Right along through each plantation,
This great Iron Horse goes rushing,
With his fiery face all flushing—
Every thing before him crushing—
Sometimes faster, sometimes slower,
Sometimes higher, sometimes lower—
As if Time, the great world-mover,
Had come down for his last reaping
Of the harvest ripe, in keeping,
Of the nations waiting, weeping—
While the engine, overteeming,
Spits his vengeance out in steaming
With excruciating screaming—
While the wheels are whirling under,
Like the chariot-wheels of thunder,
When the lightning rends asunder
All the clouds that steam from Ocean,
When he pays the Moon devotion—
With a grinding rhythmic motion—
Till the frightened sheep are scattered,
Like the clouds by lightning tattered,
And the gates of day are battered
With the clitta, clatta, clatter—
Still repeating clatta, clatter,
Clitta, clatta, clatta, clatter,
As if something was the matter—
While the woodlands all are ringing,
And the birds forget their singing.
And away to heaven go winging
Of their flight to hear the clatter,
Clitta, clatta, clatta, clatter,
Which continues so, till coming
To a straight line, when the humming
Is so mixed up with the strumming,
That the cars begin to rattle,
And the springs go tittle-tattle—
Frightening off the grazing cattle—
Like Hell’s thunder-river roaring,
Over Death’s dark mountain pouring
Into space, forever boring
Through th’ abysmal depths, with clatter
Clitta, clatta, clatta, clatter,
And a clinking, and a clanking,
And a clanking, and a clinking—
Then returns to clatta, clatter,
Clitta, clatta, clatta, clatter,
Like the devil beating batter
Down below in iron platter—
Which subsides into a clunky,
And a clinky, and a clanky,
And a clinky, clanky, clanky,
And a clanky, clinky, clanky;
And the song that I now offer
For Apollo’s Golden Coffer—
With the friendship that I proffer—
Is for Riding on a Rail.
* * * * *
CHARLOTTE CORDAY.
BY JULIA KAVANAGH.
Amongst the women of the French Revolution, there is one who stands
essentially apart: a solitary episode of the eventful story. She appears
for a moment, performs a deed—heroic as to the intention, criminal as
to the means—and disappears for ever; lost in the shadow of time—an
unfathomed mystery.
Public-domain text, read in full here on John Shaqi.
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