Graham's Magazine, Vol. XL, No. 4, April 1852Various
General
Graham's Magazine, Vol. XL, No. 4, April 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
“She is worse to-night,” he said. “They have sent Tommy for _him_.”
After a moment, he continued; “I recognized you at first, and for my
rudeness I must plead the state of mind I was in. The truth is, I have
this day arranged my departure for America, to take my sister to her
husband; and the relief from the burden of suspense I had long been in
made me quite forgetful of myself.”
“I do not know,” said I, “that you are doing best in taking this course.
You are an artist, and I must bear witness to the promise of success you
make in your art; but, as I begin to feel a deep interest in yourself,
your family, and—I think I may say with truth—in your sorrows, for
some strange misfortune seems to brood over this house, I feel at
liberty to remonstrate with you for abandoning what seems to me your
duty to yourself, and your father’s family. I could not give you hope of
better success where you purpose going than you would probably meet with
here. The best of our own artists reside in Europe, for we have no
models at home. Have you always lived here with your parents?”
“Until within the last few weeks I spent most of my time in the town; my
occupation kept me very much from home. Of late, I have done nothing but
assist my father here.”
“It seems to me that you might assist him more with your brush than with
your ox-goad.”
“If I could use it perhaps I might; but I can paint no more here. I am
going, and Tommy and I have trimmed his vines and sown his crops, and
when Tommy shall be able to take care of the vines himself, I shall be
gone.”
“That is where I cannot excuse you. You are not suffering from poverty;
you are not driven to emigrate; and it is in leaving your infirm parents
when they are bowed down by affliction that I think you do not do your
duty by them. They both seem proud of you, and still—you appear to love
them as you ought.”
“The affliction is mine! You were at the bower?”
“Yes.”
“Well, I could go there with you, and tell you a tale of sorrow that you
would never forget. You cannot judge. I know that my father and my poor,
fond mother grieve—it is for me; but what is their grief to mine? It is
but the reflection of mine; it is like the cold, borrowed light of the
moon—mine, the scorching sun. I am plunged from heaven into hell! This
spot is to me, now, of all the world, like the deepest abyss of infernal
misery; and, but for Father Klaus, our good old priest, this shadow of
hell had, ere this, been bartered for the reality. He has kept alive a
spark of reason in me, that I hope may yet guide me through the world.
Here he is—I see they have sent Tommy for him. She always forgets her
own sorrow, when she sees him.”
“Well Roderick, my son,” said the old priest, as he paused at the door,
“I fear you have been imprudent again. These outbursts of yours will
bring the poor old mother to the grave. You have heard something since,
and it has set you beside yourself, poor boy.”
Public-domain text, read in full here on John Shaqi.
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